Category Archives: Community

Why Access to Youth Theatre Matters, Concluding Youth Performing Arts Series

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By: Jessica Harris

This blog post is the fourth and final in a Youth Performing Arts Series by teens involved in the performing arts. For more posts, please visit our blog.

Highlights: 

  • Empowered Players (EP) is a Fluvanna-based non-profit in VA designed to make a difference in the community through the arts. Their mission is to uplift the human spirit through access to quality arts experiences, youth empowerment, and community service through free & accessible K-12 theatre education and programming. 
  • For the past few months, the Youth Performing Arts Series has highlighted youth involved with EP sharing more about their experiences and perspectives engaging in the performing arts. 
  • In this fourth and final blog post, Jessica Harris, Founder and Artistic Director of EP, shares more tips and strategies for running a rural youth performing arts program, and about how applied development research is embedded into that work.
Source: EP, Midsummer Night’s Dream Cast, Summer 2019.

“The show must go on!” Many of us are probably familiar with this age-old adage.  It’s designed to remind us of the importance of perseverance, determination, and the need for the curtain to rise on a performance no matter the obstacles.

But how does this phrase apply in communities where systems, structures, and ecosystems are designed such that the show – both literally and figuratively – often cannot go on? This is the reality for many rural counties across the country, and my experience growing up where access to afterschool programs – particularly those in the dramatic arts – was few and far between. 

This access gap is felt by many students and families where programs are either too expensive, far away, or inaccessible due to the ability level needed. According to a report by Afterschool Alliance, roughly 4.5 million rural students would be enrolled in an afterschool program if afforded the opportunity; with the majority of parents citing cost and limited access as main barriers to entry.

In efforts to provide students with access to arts while closing the opportunity gap, I founded Fluvanna-based Empowered Players (EP) in 2016. The 501(c)3 organization fosters accessible theatre experiences for students who might otherwise lack access to the arts. Our mission is to uplift the human spirit through access to quality arts experiences, youth empowerment, and community service.

Photo source: EP, Empowered Players Students Rehearse Peter Pan Jr., Spring 2018.

The Power of Theatre

Arts programs are often life changing for students. As we’ve heard from our EP Teen Arts Board (TAB) members in this Youth Performing Arts Series, theatre offers students a variety of skills and benefits aside from the warmth of the spotlight. Here’s some of what our students said that affirmed the findings of researchers and experts from the field:

Social and Emotional Learning (SEL) & Positive Youth Development

Youth VoicesWhat Experts Say
Maya shared that, “Without theatre I would be much less assertive and would probably care more about what people think. In theatre you regularly embarrass yourself and do ridiculous things. By doing that in this safe place, it’s easier to do in public.”Researcher Jane Dewey writes: “Theatre is an exploration of human emotion, human behavior and human action…. the process of drama is used not for production, but for exploration.” Students explore roles onstage; examine characters’ thoughts and feelings; try out new skills in improvisation games; and thus, fine-tune their SEL skills. 

Friendships & Confidence

Youth VoicesWhat Experts Say
Gloria said, “Throughout the year my confidence has gone up. For example, I can make friends easier now, and it is easier for me to talk to people that I don’t really know. I have also noticed that I have become more confident in speaking in class in front of classmates and teachers, and that I can express my thoughts and opinions more freely and without worrying too much about what they think.”Sandra Ruppert found that theatre increases students’ “self-confidence, self-control, conflict resolution, collaboration, empathy, and social tolerance” (p. 14) – all of which are essential for increased friendships and confidence.

Creativity, Problem-Solving, & Innovation

Youth VoicesWhat Experts Say
Anna and Kessler believe that theatre “can improve public speaking ability, increase creative thinking skills, and includes people from many different backgrounds and walks of life through the diverse roles available.”In a report on 21st Century Skills, Colleen Dean & colleagues found that theatre and arts programs teach essential skills such as outside-the-box thinking, collaborative skills, and innovation through elements that are required to put on a show.
Source: EP, Owen (one of the youth bloggers) and Jessica Harris working together on a project at Empowered Players rehearsal in 2019.

Tips & Advice for Adults

While EP continues to adapt to our community’s needs and interests, there are a few key lessons learned that may prove useful for others who hope to engage in this type of meaningful work. Whether you are a teacher, a community organizer, a parent, or other person invested in positive youth development, my hope is that these tips and strategies will help you support youth in the performing arts.

  • Focus on the Process: Our mantra is process is the product. Just as no theatre will have a good performance if the creative process was lackluster, the same holds true for organizations working with students. Educators should focus on offering a robust, SEL-centered experience rather than focus on “just putting on a show.” (The Educational Theatre Association has a number of SEL-informed lesson plans for theatre educators for this purpose.) And I encourage parents to recognize how learning and practicing SEL skills in theatre as a process (and not just the end show) can impact successful social functioning in the future.
  • Community & Arts Go Hand-in-Hand: One of the most meaningful parts of Empowered Players is our Teen Arts Board program, where students volunteer in our community using the arts. From holding community-wide talent shows to storytime readings at our local library, our teens find ways to use their creative talents to enhance the community and bring the power of theatre to life. I encourage educators to find similar ways to align learning and embed service into the creative parts of this work. Community organizers should reach out to theatre groups and help build bridges to the arts if they don’t already exist. If there are parents whose teens are involved in theatre, consider encouraging those leaders to find pathways to the community too!
  • Access, Access, Access: Some of the greatest parts about theatre are the infinite touchpoints it provides. Have a student who’s less comfortable onstage? Allow them to run the lights and sound. Know of students who are visual-arts-oriented? Make space on the costume design team for them. Theatre is for everyone whether it is in school-based or in the community!

Additionally, EP’s programs are all free-or-reduced cost. Recognizing that this may not be possible for every community, we encourage folks to be mindful of ways they might be able to keep their program accessible. It’s amazing what can be done with a simple gathering space, upcycled costumes, and a group of passionate students!

And if you are an adult who is fortunate to be able to monetarily support the arts, please consider donating to youth performing arts programs because it’s clear that their results have long lasting effects on the students involved.

Photo source: EP, Gloria & Ruby (two of our youth bloggers) work in the lights and sound booth at the Carysbrook Performing Arts Center, Spring 2023.

Next Steps

I am so heartened by what our students shared about the impact that theatre had on their lives. I encourage all adults and communities to consider bringing the transformative power of theatre to their own contexts, no matter how big or small. The show can go on, and I believe we owe it to all students to give them a chance to shine – both on and off the stage.

If you’d like to stay in touch or learn more about how theatre education can impact your community, you can reach me at empoweredplayersvirginia@gmail.com. To support Empowered Players, visit our website here.

The posts in the Youth Nex Youth Performing Arts Series are submitted by teens who are a part of the Empowered Players Teen Arts Board (TAB). The TAB is designed to create a space for teens to shape the arts landscape of Fluvanna County, VA, volunteer in their community, and co-create arts programming for EP. Each blog will feature topics selected by TAB members, and is designed to uplift their thoughts around the importance of the performing arts.

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Jessica Harris is the Founder and Artistic Director of Empowered Players, a 501(c)3 arts education nonprofit in Fluvanna, VA, and Community Research Program Manager at the UVA Equity Center. Through EP, she directs and provides yearlong accessible arts programs for K-12 students, and her TEDx Talk titled “The Transformative Power of Theater in Rural Communities” highlights her work. Jessica holds a Master’s in Applied Development Science – Educational Psychology from the University of Virginia, where she also earned an interdisciplinary B.A in arts nonprofit management & education.

Youth Performing Arts Series: The Theatre Community

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By: Ruby (9th grader), Owen (8th grader), Maya (9th grader), & Rachael (8th grader) from Empowered Players (EP)

This blog post is the third of four in a Youth Performing Arts Series by teens involved in the performing arts. For more posts, please visit our blog.

Highlights: 

  • Empowered Players (EP) is a Fluvanna-based non-profit in VA designed to make a difference in the community through the arts. Their mission is to uplift the human spirit through access to quality arts experiences, youth empowerment, and community service through free & accessible K-12 theatre education and programming. 
  • In this Youth Performing Arts Series, youth involved with EP will share more about their experiences and perspectives engaging in the performing arts. 
  • In this third of four blog posts, Ruby, Owen, Maya and Rachael talk about community, social interactions and how these new skills will help them as adults.
Source: Empowered Players

We all know that community and social interaction is a vital part of humanity. Without it, we can’t grow and expand our knowledge of the world. Empowered Players aims to create a safe and diverse community that is accepting and inclusive. Being part of the Empowered Players community has changed us for the better, and here some examples of how: 

  • “We have met many new friends. Empowered Players is a family, and we are all very grateful to be part of it.” Rachael Broxon, an aspiring playwright and author, explains. “With the addition of Empowered Players to our lives, we’ve had more chances to make friends and interact with people we never would have met otherwise.”
  • “Theatre changed our lives by introducing us to new people. Some of the people we were introduced to were people from different grades, homeschoolers, and people from other counties.” Owen Kaider says. According to Owen, if he had never joined theatre he wouldn’t have started his shoe company, Elvara Custom. Theatre gave him the confidence to pursue his dreams. 
  • “Empowered Players has given me more confidence. It helped me to learn to speak louder and how to convey things without using words.” Maya Blackburn, a martial artist and animal lover, mentions. “Without theatre I would be much less assertive, and would probably care more about what people think. In theatre you regularly embarrass yourself and do ridiculous things. By doing that in this safe place, it’s easier to do in public.”
  • “Ever since I joined Empowered Players, I have been much more confident. I would have passed up countless opportunities if I had never joined Empowered Players. Before doing my first show, I probably would’ve passed out at even the thought of performing on stage.” Ruby Godlewski says. 

Building Community 

Theatre changed our lives by introducing us to new people. Ruby wouldn’t have joined high school theatre if she hadn’t participated in Empowered Players. It helped Ruby to already have connections and know more people. If Maya hadn’t joined Empowered Players, then she wouldn’t have made as many friends, and it helped her to think faster on her feet.

Empowered Players gives new perspectives to kids. Older and younger kids mix, which gives the younger kids people who are not much older than them to look up to. The teenagers have the younger ones around, and that helps them to remember what it’s like to be little, and holds them to a standard that should keep them being responsible. The different age groups mix, and they get along more than some would think. That is beneficial for both of the groups.

The Theatre Community & New Skills

We had to learn how to work together for a production to go well. Those same skills can also apply to real life, too.

If an ensemble doesn’t work well together, then the show won’t be good, and the audience will be confused. Most workplaces function the same. If staff don’t get along and don’t collaborate well, then people could get fired and the business won’t succeed as much as it should. We learned to work well together, even if we weren’t friends or didn’t particularly like each other. Previous theatre groups we attended weren’t nearly as efficient because their community was not quite as advanced as it is here with Empowered Players.

Theatre gets kids out of their shells. Before joining Empowered Players, we were shy, and much quieter. Now we are more outgoing and less soft-spoken. When we need to be loud, or talk authoritatively, we can, whereas before, we didn’t know how. We’ve learned how to speak in different ways, and that helps us when speaking to adults, or to younger kids. Theatre has helped us learn how to better express ourselves, and by learning how the characters feel, it’s helped us to figure out how we feel. When we had to identify how our characters felt, so that we could better embody them it helped us to learn how to identify feelings in general, including our own. 

Because of our growing, nurturing, and accepting community, Empowered Players continues to “change the world, one show at a time.”

The posts in the Youth Nex Youth Performing Arts Series are submitted by teens who are a part of the Empowered Players Teen Arts Board (TAB). The TAB is designed to create a space for teens to shape the arts landscape of Fluvanna County, VA, volunteer in their community, and co-create arts programming for EP. Each blog will feature topics selected by TAB members, and is designed to uplift their thoughts around the importance of the performing arts.

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Maya is a freshman at Fluvanna County High School and has been involved with theatre since 4th grade. She has been with Empowered Players for five years, and has been in both musicals and plays. Maya is part of the tech crew, and did the lighting for the fall Rudolph Musical. Last fall was her biggest role with Empowered Players in which she was Wednesday in the Addams Family Musical. This is her first time writing for a UVA blog.

Author Bio: Owen Kaider is an 8th grader at Fluvanna County High School and has participated in Empowered Players for five years. His previous roles with EP include Charlie in Willy Wonka, Rooster in Annie, Marty in Madagascar, Olaf in Frozen, and Sam the Snowman in Rudolph. He is also an aspiring sound designer and managed sound for EP’s series of original plays this past fall. Owen also recently founded a shoe company titled Elvara Custom. He looks forward to designing sound for EP’s upcoming production of The SpongeBob Musical: Youth Edition.

Author Bio: Ruby Godlewski is a freshman at FCHS. She’s been a member of the Empowered Players community for about 6 years. She is a member of the EP Teen Arts Board, and you can catch her onstage starring as SpongeBob in The SpongeBob Musical: Youth Edition this spring.

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Author Bio: Rachael is in eighth grade and has been with Empowered Players for six years. She loves doing musicals and is looking forward to performing The SpongeBob Musical: Youth Edition this spring. She is an aspiring author and is currently working on a top secret project that’s not really that secret at all.

Youth Performing Arts Series: Debunking the “Theatre Kid” Stereotype

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By: Kessler (11th grader) & Anna (10th grader) from Empowered Players (EP) and members of EP’s Teen Arts Board (TAB).

This blog post is the second of four in a Youth Performing Arts Series by teens involved in the performing arts. For more posts, please visit our blog.

Highlights:

  • Empowered Players (EP) is a Fluvanna-based non-profit in VA designed to make a difference in the community through the arts. Their mission is to uplift the human spirit through access to quality arts experiences, youth empowerment, and community service through free & accessible K-12 theatre education and programming.
  • In this Youth Performing Arts Series, youth involved with EP will share more about their experiences and perspectives engaging in the performing arts.
  • In this second of four blog posts, Kessler and Anna debunk a few theatre myths and stereotypes that haunt the industry.
Source: Empowered Players Teen Arts Board

There are a lot of stereotypes about theatre kids. Some say we’re anti-social coffee addicts who can’t go anywhere or do anything because “we have rehearsal.” Some say we’re Hamilton obsessed geeks who speak only in showtunes and Shakespeare. Although they might have a point, theatre is much more than the stereotypes.

Theatre, especially Empowered Players, helps budding actors and actresses in many ways. It can improve public speaking ability, increase creative thinking skills, and includes people from many different backgrounds and walks of life through the diverse roles available. And while some theatre stereotypes are true (yes, we are that loud; yes, some of us are that obsessed with Hamilton or Dear Evan Hansen), many are not. This blog debunks a few myths that have permeated the industry for years, especially for youth.

Mythbusting the “Theatre Kid”

To begin with, many people are afraid of theatre because of how it is portrayed in the media. Television and movie producers love to show theatre as something that is filled with gossip and drama, or mean girls and nerds. This does not give theatre a chance! It is an unique art that allows actors to become different people for a few hours a week while boosting beneficial skills such as confidence and public speaking. The myriad perks of theatre are overshadowed by the harmful stereotypes that continue to circulate both within and outside the community. Let’s lay these myths to rest and prove that theatre is truly for everyone!

Debunk: “I can’t, I have rehearsal”

One of the major drawbacks that can dissuade students from entering theatre is the heavy time commitment. Almost everyone has seen or heard the theatre kid meme: “I can’t, I have rehearsal.” And while this can be true (and we have used it to get out of things that we don’t really want to go to), the commitment is no worse than a regular sport. Rehearsals are after school or on the weekends, but many directors are flexible and willing to work with students and their schedules. Since some troupes rehearse on the weekends, afternoons are open for other activities. For example, Anna is in the marching band, which means that she doesn’t have time after school for rehearsals. Since Empowered Players meets on the weekends, she can do both band and theatre. Kessler competes in Forensics through the school, and the weekend rehearsals mean that she has time for homework after school and practice. This is a common occurrence. Many people balance both theatre and other extracurricular activities!

Debunk: “I can only do theatre through my school”

Popular media likes to portray that theatre can only be done through a school (High School Musical, anyone?). While school theatre is definitely an option, it is not the only option. There are many external troupes and programs that allow students to act outside of school hours. These troupes are important because it allows students who don’t go to a traditional school, such as homeschoolers, to experience theatre. There are many community theatre programs that are open to everyone, which opens up theatre opportunities to those who can’ do traditional theatre.

Outside opportunities are also important for those who aren’t comfortable doing theatre through school. Sometimes people have bad experiences with school theatre and are not comfortable going back to school. Community theatre opportunities reopens the door of theatre to those who thought it closed.

Debunk: “I can’t do community theatre because it’s only for adults”

Unfortunately, doing theatre through a community program comes with its own stereotypes. One of the most prominent ideas is that community theatre is only for adults. This is supplemented by many shows that community theatres produce that are not necessarily suitable for teenagers, tweens, or children to act in.

However, many troupes do perform shows that are children-appropriate and sometimes even call for child actors. If someone is interested and there is a community theatre troupe nearby, we suggest reaching out to them and expressing interest. If there is an opening for a child or teen actor, then go ahead and join! If not, then keep reaching out to other troupes and the right one will connect with you! Acting with adults will also increase your skill, since you will be working alongside more experienced actors who can show you some tips and tricks of the trade.

Debunk: “Everyone in theatre already has friends. I won’t be welcome”

The deterrent to many teens in joining new activities is the fear of a clique within that activity that will not accept them. Theatre is infamous for cliquey groups that exclude newcomers, but this is simply not true in most cases. Theatre troupes are welcoming of new actors, especially because more actors means a larger cast. A larger cast means a more in depth and overall fun play. In addition, the people within the groups remember how it felt to be a newcomer to the scene, and as such are welcoming. Theatre, as an art, also attracts kind and accepting people.

Debunk: “Everyone in theatre is dramatic” or “Rehearsals are full of drama”

The final myth that we plan to debunk centers on another name for theatre. Many people call theatre “drama” and this can lead many to believe that actors are backstabbing hooligans, constantly on the lookout for new drama. This is just not correct! Rehearsals are calm places, devoted to the play. While some actors do participate in “backstage drama,” as it is coined, most just want to have a fun show.

Theatre kids also receive an unjust reputation for being “over dramatic.” Seeing as how these people are actors, a certain amount of this is to be expected, but not to the degree that is shown in mass media. The over dramatism is mainly just employed in jokes, and actors know when too much is too much.

Theatre Stereotypes Debunked

Although there are many more myths and stereotypes than what is covered in this blog, we have debunked a few of (what we thought were) the most famous ones that keep youth from entering theatre. An important element to remember is that theatre is not what the media paints it as, and many people from all walks of life enjoy theatre in many different ways. And if acting isn’t something that interests you, that’s okay! Theatre encompasses everything from acting to directing to the technical crew working behind the scenes. All parts are necessary to ensure a successful show. So try out for that musical! Join that community theatre troupe! Take that directing class! Even if theatre is not for you, you will have gained new skills that will benefit you in unexpected but amazing ways.

The posts in the Youth Nex Youth Performing Arts Series are submitted by teens who are a part of the Empowered Players Teen Arts Board (TAB). The TAB is designed to create a space for teens to shape the arts landscape of Fluvanna County, VA, volunteer in their community, and co-create arts programming for EP. Each blog will feature topics selected by TAB members, and is designed to uplift their thoughts around the importance of the performing arts.

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Kessler is a junior in Fluvanna County High School. She competes in Forensics through FCHS and participates in the spring shows performed by the high school. She has been involved with Empowered Players for over six years and has worked on many aspects of the theatre experience, from acting in both ensemble and starring roles, to tech, to management and directing. enjoys both acting and directing. This spring, she is excited to star in Peter and the Starcatcher as Molly Aster. This is her first time writing for a UVA blog.

Author Bio: Anna is a sophomore at Fluvanna County High School and has been involved with theatre since the summer before 4th grade. She did the initial Empowered Players summer camp, and has been involved with the program since. She has been in numerous shows, as well as camps, and has learned theatre management, directing, script writing and playwriting through those camps. She has just wrapped up her latest show, in which she played Alice in the Addams Family Musical. She also did her first mentoring volunteer work with Empowered Players in the Rudolph Musical this past semester.

Revisiting 2022: Blogs on Youth Voice, New Research & More

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By: Leslie M. Booren

Highlights:

  • As the holiday season approaches, Youth-Nex is revisiting the 2022 archives for the blog.
  • We highlight themes from this year’s blog postings, including youth voice, the latest research, and more.
  • Read more and see what posts you missed from 2022, and what you should take into 2023!
Source: Youth-Nex

At the core of the work here at Youth-Nex is including and elevating the voices of youth. Dr. Nancy Deutsch, Youth-Nex Director, recently said there are two significant reasons for this. The first is that youth are more than just future adults who will one day be impacted by and engaged in making decisions about the world; they are both impacted and active now.

“It’s not just that youth have a stake in the future impact of the actions we take, they have an immediate stake in them too,” Deutsch said. “That means they should have a say in how we think about social issues and what we do to address them. Beyond that, they are already actively trying to make change. Just look around and you can see how young people are engaged in social change efforts across a range of issues.”

Deutsch also believes that including youth voices yields better results.

“We need their ideas,” Deutsch said. “Young people are better at brainstorming beyond boundaries. They engage in creative problem-solving in a way that can open new possibilities that adults don’t see. Because adolescents are more open to novelty and risk-taking than adults are, this can make them more innovative problem-solvers.”

Youth Voice

In 2022, we featured youth writers that were middle schoolers, high schoolers and young adults. They talked about the importance of art, advised educators on how to use social media, highlighted the importance of Black History, and encouraged young people to be active in performing arts. Read more about:

Check out these blogs to link to the youth takeovers on Instagram that accompanied many of these posts!

Latest Research

Youth-Nex takes a translational approach to scholarship and innovation which aims to expand and apply the science of Positive Youth Development. Our work enhances the strengths of youth to support thriving and prevent developmental risk such as violence, physical and mental health issues, substance abuse and school failure.

In 2022, many of our blog posts highlighted new research just published or available to teachers, parents and more educational stakeholders. These researchers explain their new work on:

What to Take into 2023

Although all these blog posts share important perspectives, there are two that we would be remiss not to highlight from 2022. The messages shared by these authors are particularly salient given the on-going current news in the United States for youth as we approach 2023:

  • For Pride month, Lamont Bryant writes how “LGBTQ+ Youth Need Your Support.” They describe how the U.S. is at a turning point, emphasizing the importance of social support for our LGBTQ+IA2+ communities. Read more about what you can do now for lesbian, gay, bisexual, transgender, queer, intersex, asexual, two-spirit, and other sexual diverse and gender minoritized individuals (LGBTQ+IA2+).
  • For Mental Health Awareness month, this video blog addresses “Youth Mental Health & Reshaping Our Culture.” Daniel Fairley II shares tips for what adults can do to support youth mental health right now, after the COVID-19 pandemic.

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Leslie M. Booren is the Associate Director for Communications and Operations at Youth-Nex and the Youth-Nex blog editor. In this role, she manages operations, HR, events, communications and marketing for the center. Previously she has worked at the Center for Race and Public Education in the South (CRPES), EdPolicyWorks, and the Center for Advanced Study of Teaching and Learning (CASTL) in various roles from research faculty to managing director. She has a strong interest in community and youth development by bridging applied and research-based practices.

Youth Performing Arts Series: How Empowered Players Has Helped Me

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By: Gloria & Ash, 9th graders from Empowered Players (EP) and members of EP’s Teen Arts Board (TAB).

This blog post is the first of four in a Youth Performing Arts Series by teens involved in the performing arts. For more posts, please visit our blog.

Ash & Gloria also took over the Youth-Nex & Empowered Players Instagram accounts to talk more about this blog and their experiences!

Highlights:

  • Empowered Players (EP) is a Fluvanna-based non-profit in VA designed to make a difference in the community through the arts. Their mission is to uplift the human spirit through access to quality arts experiences, youth empowerment, and community service through free & accessible K-12 theater education and programming.
  • In this Youth Performing Arts Series, youth involved with EP will share more about their experiences and perspectives engaging in the performing arts.
  • In this first of four blog posts, these youth share more about how acting helped them build skills and confidence for the future.
Source: Empowered Players Teen Arts Board

Hi, we’re Gloria and Ash! We are both in 9th grade and have some things in common. For example, we both like to act, to read, to dance, and to do some art. We want to talk about how being involved in Empowered Players has helped us in everyday life and with our acting. In particular, theater has helped us with public speaking, expressing ourselves, confidence, and creativity.

Improving Public Speaking

Empowered Players has helped me (Ash) with many things in my everyday life. One way it’s helped me is in public speaking. When in a play, you always know what to say and when it’s the appropriate time to say it. For example, I was in a play, The Jungle Book. Being in this play showed me the appropriate responses to things that would need to be said when speaking anywhere. For example, when talking to an adult, I am able to think of a response sooner and sound like I know how to talk to an adult. With that, I am now able to plan what I want to say anywhere, and have the ability to improv if I don’t already have a response to something when I need it. It also helps by already being on stage with a bunch of people that you may or may not know.

Expressing Ourselves

Empowered Players has also helped me (Ash) with expressing myself. Performing in a play helps show different emotions and different personalities, and this can help with expressing who you are in everyday life. For example, you could also express yourself in the play and show who you are in the play.

More Creativity

Empowered Players has also helped me (Gloria) with my creativity.

It has helped me because when we are playing improv games, I have to think of something to say quickly and it also has to be creative. My creativity has improved; and I have noticed that when I’m working on little crafts at home, it is easier for me to think of what to make.

Boosting Confidence

Empowered Players has helped me (Gloria) with my confidence, because when I’m in an Empowered Players group, I can be myself. I also learned that people don’t care what you look like or do, and that has really helped with my everyday life. Throughout the year my confidence has gone up. For example, I can make friends easier now, and it is easier for me to talk to people that I don’t really know. I have also noticed that I have become more confident in speaking in class in front of classmates and teachers, and that I can express my thoughts and opinions more freely and without worrying too much about what they think. When I looked at the Halloween costume contest video we recorded with the Teen Arts Board, where I was one of the presenters, I can really tell that I am more comfortable in front of a camera now.

The posts in the Youth Nex Youth Performing Arts Series are submitted by teens who are a part of the Empowered Players Teen Arts Board (TAB). The TAB is designed to create a space for teens to shape the arts landscape of Fluvanna County, VA, volunteer in their community, and co-create arts programming for EP. Each blog will feature topics selected by TAB members, and is designed to uplift their thoughts around the importance of the performing arts.

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

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Author Bio: Hello! I am Ash! I am 15 years old and in 9th grade. I was born in North Carolina and lived there for 13-ish years. Now I live in Virginia.

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Author Bio: Hi! My name is Gloria! I am 14 years old and I was also born in North Carolina. I go to Fluvanna County High School.

Black Youth Suicide: A Public Health Crisis and Call for Support

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By: Jasmin R. Brooks

Highlights:

  • Suicide among Black youth and young adults is a national public health crisis. However, limited research has examined contributing and protective factors of suicide among Black youth and young adults (this is especially relevant in light of September being Suicide Prevention Awareness Month).
  • Recent research suggests symptoms of depression are associated with greater suicidal ideation for Black young adults, but that self-acceptance may buffer this association. 
  • In this blog, read more about these findings and what you can do to help address the crisis of Black youth suicide.
Source: Canva

Suicide is a major public health concern among all age groups. However, with increases in social media use, anxiety, depression, loneliness, and self-inflicted injuries, suicidal thoughts and behaviors among youth and youth adults are of particular concern1,2. Importantly, analysis of the CDC’s national 2019 Youth Risk Behavior Survey reveal that suicide among Black youth has increased at an alarming rate, faster than any other racial or ethnic group3. Findings suggest that suicide attempts have risen 73% between 1991 and 2017 for Black adolescents, and injuries from suicide attempts have risen 122% for Black adolescent boys over the same time period3. As a result, research investigating how suicide risk develops, and can be prevented, among Black youth is warranted.

The Role of Depression and Self-Acceptance

Previous research suggests that depression is a robust risk factor for suicide; however, Black Americans remain largely underrepresented in these studies. In our new study, published in the Journal of Black Psychology, we examined the association between symptoms of depression and suicide ideation among Black young adults, as well as the potential buffering role of self-acceptance.

Our study found that elevated symptoms of depression were associated with increased suicide ideation. Potential explanations of the pathway between depression and suicide for Black young adults include exposure to racism-related stressors, hopelessness, diminished psychological functioning, and impaired coping skills4-6. Importantly, we found that for Black young adults who reported higher levels of self-acceptance (i.e., positive and realistic attitudes toward the self), symptoms of depression were not associated with suicidal ideation. This finding suggests that holding positive attitudes towards oneself protects against external influences that may lead to psychological distress. Moreover, this finding suggests that assisting Black young adults in cultivating increased feelings of self-worth may lead to a reduction in risk for suicidal ideation.

How to Support Black Youth

Youth suicide is preventable. Suicide rates for Black youth and young adults can be substantially reduced through the following recommendations:

  1. Learn the signs and symptoms of suicide risk. If you or someone you know is suicidal, get help immediately via calling or texting the Suicide and Crisis Lifeline at 988, the National Suicide Prevention Lifeline at 1-800-273-TALK or the Crisis Text Line (text “HOME” to 741741).
  2. Black youth continue to be less likely to receive and complete treatment for depression, compared to White youth. Black youth are also less likely to receive mental health services following a suicide attempt. Seek out mental health treatment, including culturally-responsive services as needed.
  3. For parents, talk and listen to your child. Affirm their feelings and foster an accepting and welcoming environment to discuss mental health and well-being. Keep learning new strategies on how to check in on your child’s mental health.
  4. For teachers, foster supportive, warm, and inclusive classroom environments and maintain positive connections to Black students.
  5. For providers, screen for depression in primary care settings. Furthermore, we can work together to design and implement more race-conscious and culturally responsive suicide interventions targeting specific risk factors among Black youth.
  6. Therapy for Black Kids and Therapy for Black Girls provide free resources, tools, and access to a directory of Black providers in order to promote mental health recovery among Black children, teens, and families.
  7. Help break the stigma that exists surrounding suicidal thoughts and behaviors by: 1) bringing awareness to (and helping to reduce) the use of stigmatizing language surrounding suicide, 2) educate your family, friends, and colleagues about the unique experiences and challenges of mental health within the Black community, and 3) take steps to address our own implicit biases and any assumptions we may have surrounding suicide and mental health.

References

[1] Miron, O., Yu, K. H., Wilf-Miron, R., & Kohane, I. S. (2019). Suicide rates among adolescents and young adults in the United States, 2000-2017. JAMA, 321(23), 2362-2364.

[2] Mercado, M. C., Holland, K., Leemis, R. W., Stone, D. M., & Wang, J. (2017). Trends in emergency department visits for nonfatal self-inflicted injuries among youth aged 10 to 24 years in the United States, 2001-2015. JAMA, 318(19), 1931-1933.

[3] Lindsey, M. A., Sheftall, A. H., Xiao, Y., & Joe, S. (2019). Trends of suicidal behaviors among high school students in the United States: 1991–2017. Pediatrics, 144(5).

[4] Nrugham, L., Holen, A., & Sund, A. M. (2012). Suicide attempters and repeaters: Depression and coping a prospective study of early adolescents followed up as young adults. The Journal of Nervous and Mental Disease, 200(3), 197-203.

[5] Abramson, L. Y., Alloy, L. B., Hogan, M. E., Whitehouse, W. G., Gibb, B. E., Hankin, B. L., & Cornette, M. M. (2002). The hopelessness theory of suicidality. In Suicide science (pp. 17-32). Springer, Boston, MA.

[6] Walker, R. L., Salami, T. K., Carter, S. E., & Flowers, K. (2014). Perceived racism and suicide ideation: Mediating role of depression but moderating role of religiosity among African American adults. Suicide and Life‐Threatening Behavior, 44(5), 548-559.

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Jasmin R. Brooks, M.A. is a doctoral candidate in Clinical Psychology at the University of Houston. Her research interests include evaluating how sociocultural risk (e.g., racial discrimination) and protective (e.g., mindfulness, racial identity) factors influence suicidality and mental health for Black populations. She aims to apply her research to the development of clinical interventions that reduce racial stress and promote psychological well-being within Black and other marginalized communities. Jasmin also maintains a strong commitment to being active in her community through mentoring, non-profit work, and creating a podcast, We Had the Talk. If you are interested in learning more about Jasmin’s work you may visit her website at: https://jasminbrooks.com/, follow her on Twitter at: @__JasminBrooks, or email her at jrbrooks4@uh.edu.

Race, Racism, and Relationships: What Matters for Teens’ Mental Health?

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By: Jessica Stern

Highlights:

  • Attachment styles have been shown to shape mental health, but almost no research has examined the experiences of Black teens (this is especially important in light of BIPOC Mental Health Month).
  • Our new research reveals that Black teens experience more racism in their neighborhoods, and those experiences of racism are associated with greater attachment avoidance (discomfort with emotional closeness) and with elevated depressive symptoms in the early teen years.
  • We also explore other findings, including how attachment avoidance predicted increases in depressive symptoms over time, but only for teens who identified as White; avoidance was not a risk factor for teens who identified as Black.
Source: Canva

Think back to your teenage years: Was it a happy time in your life, or did you struggle with feelings of depression? Did you lean on your close friends or family members for support, or did you deal with your feelings by yourself? And did you ever experience racial discrimination in your neighborhood?

We put these questions to teens themselves to uncover how race, racism, and attachment style — or how we feel and behave in close relationships — shape mental health during adolescence. Our new study, published in a special issue of Attachment and Human Development, explored pathways to mental health for teens with different racial-ethnic identities and experiences of discrimination in their neighborhood.

Teens’ Relationship Styles

We focused on two styles of behavior in close relationships:

  • Attachment avoidance – teens’ reluctance to trust others, discomfort with vulnerability, and tendency to deal with emotions alone.
  • Attachment anxiety – teens’ worries about their relationships and fears of abandonment.

Previous studies had shown that both attachment avoidance and anxiety foreshadow increased risk for depression— but these studies overwhelmingly focused on White college students. Almost no studies had examined the unique experiences of Black teens, for whom some aspects of avoidance (like being able to suppress vulnerable emotions when necessary) may be understandable —or even protective— in the context of dealing with racism in their daily lives.

We followed 171 teens from Prince George’s County, MD from age 14 to age 18, focusing on teens who identified as Black or as White. Each year, we asked them to report their attachment style, experiences of racism in their neighborhood, and symptoms of depression. We tested a simple but novel question:

Do the well-established links between attachment and depression differ depending on teens’ racial identity and perceptions of neighborhood racism?

Racial Identity & Racism Findings

When we looked at our sample of teens all together, attachment anxiety and avoidance predicted increasing risk for depressive symptoms— replicating most previous studies. But the story was more complex when considering race.

First, Black teens perceived significantly more racism in their neighborhoods than White teens (unsurprisingly), and those experiences of racism were associated with greater attachment avoidance and with elevated depressive symptoms in the early teen years. Second, avoidance predicted increases in depressive symptoms from age 14 to 18 only for teens who identified as White; avoidance was not a risk factor for teens who identified as Black. These effects of racial context were unique to avoidance, and not attachment anxiety.

This suggests that Black teens may cope with racism in their communities by adopting avoidant strategies to manage vulnerable emotions.

Rather than assuming that avoidance is universally “bad” for teens, we can see it instead as an understandable strategy for Black youth dealing with racism that may be protective, at least in the short term. Even so, all Black teens need and deserve close relationships in which they feel safe, secure, and supported in expressing their full range of emotion.

The findings reveal how the pathways linking experiences in close relationships to mental health outcomes can vary by racial context— highlighting the importance of considering diversity in adolescent development. Future research is needed to understand how attachment might interact with racial identity to shape other important outcomes, like coping, resilience, critical consciousness, and racial identity development.

How to Support Black Adolescents

As we consider ways to support positive youth development and mental health, it is critical to understand the unique social and emotional experiences of Black youth. Researchers and practitioners can support Black adolescents by:

  1. Advocating for anti-racist policy;
  2. Understanding that moderate levels of avoidance may be a protective strategy for dealing with racism in daily life (that is, not pathologizing teens’ avoidant attachment style); and
  3. Supporting social relationships in which Black youth can safely express their full selves (for instance, relationships with natural mentors).

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Dr. Jessica Stern is a postdoctoral fellow in the Dept. of Psychology at University of Virginia. Her research focuses on close relationships, child and adolescent development, empathy, and anti-racist scholarship.

LGBTQ+ Youth Need Your Support

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By: Lamont Bryant

Highlights:

  • June is Pride month, and as we celebrate our LGBTQ+IA2+ communities, we should also recognize that this current moment is a turning point from a policy perspective.
  • We need to support LGBTQ+ youth socially and recognize the intersection of youths’ race, sexuality, and gender identity.
  • In this blog, read more about what you can do next to support LGBTQ+ youth.
Source: Canva

Happy Pride!

Watching gravity-defying drag-queens perform acrobats in 6 ½ inch stilettos or stunning ballroom legends voguing as they battle on the dancefloor are some of my favorite moments during Pride. However, every year I spot a group of LGBTQ+ youth sporting their colorful Pride flags like superhero caps, which stirs unfadable joy and the flutter of hope. They are superheroes for daring to live and be their most authentic selves in their own right.

The fact of the matter is, LGBTQ+ youth don’t need another hero, but they need the support to thrive. Their presence is an essential reminder that Pride is not a parade, but a brave protest to proclaim equity and freedom from the normative limits of gender and sexuality at the intersection of infinite social identities. Every year we celebrate Pride during the month of June as an important reminder of resistance against the oppression of lesbian, gay, bisexual, transgender, queer, intersex, asexual, two-spirit, and other sexual diverse and gender minoritized individuals (LGBTQ+IA2+).

Turning Point

This year, over 250 anti-LGBTQ+ state legislative bills will loom over Pride. More importantly, is the fact that this historic surge of anti-LGBTQ+ bills is made up of 200 anti-LGBTQ+ bills that adversely affect LGBTQ+ youth. While a quarter of these bills aim to criminalize lifesaving medical care for transgender youth, approximately 75% of the anti-LGBTQ+ bills enable the discrimination against LGBTQ+ youth in schools, particularly transgender youth. [1]

We stand at a curious junction. The introduction of anti-LGBTQ+ school policies threatens decades of youth advocacy and work within the educational system to increase greater protections for LGBTQ+ youth. As such, schools with LGBTQ+ affirming policies have become a refuge of acceptance and empowerment for many LGBTQ+ youth who may face rejection at home or within their community. By and large, most LGBTQ+ youth identify schools as LGBTQ+ affirming (55%) and gender-affirming (51%) spaces in stark comparison to affirming homes (37% and 32%, respectively). [2]

The Importance of Social Support for LGBTQ+ Youth

By addressing the systemic oppression of LGBTQ+ youth, schools can become grounds for fostering social support networks and relationships. Research has found that creating affirming environments through Gender and Sexuality Alliance (GSA) school groups and LGBTQ+-focused school policies impede peer bullying and foster higher levels of support from classmates and teachers. [3]

The association of LGBTQ+ affirming schools with lower rates of attempted suicide is important to preserve, given that 45% of LGBTQ+ considered suicide within the past year.

While student organizations like GSA’s do not guarantee psychological wellbeing, efforts to support and affirm LGBTQ+ youth are interrelated to feeling connected to their school.

Many of the anti-LGBTQ+ efforts in schools will threaten the viable connection LGBTQ+ youth have with their schools. Anti-LGBTQ+ school policies isolate youth by prohibiting transgender youth from competing in student athletics, limiting age-appropriate discussion of sexual orientation and gender identity, and denying youth access to school facilities that align with their gender identity. Furthermore, many of the anti-LGBTQ+ youth initiatives also include language that will criminalize the discussion of racism within schools. However, discourse around LGBTQ+ youth and school and social support often neglects meaningful discussion at the intersection of race.

The Importance LGBTQ+ Youth at Their Intersections

Let me spill some real tea that may be obvious to many Black folx in the LGBTQ+ community; It is simply impossible to discuss any LGBTQ+ issue without addressing race. Period. However, the discussion of Black LGBTQ+ youth and young adults often occurs within the context of sexual-transmitted infections, HIV, and PrEP adherence. It is important that we continue to discuss how systemic barriers to health that target sexual and gender minoritized youth disproportionately affect Black LGBTQ+ youth and youth adults. However, I cannot help but wonder how the historical hyper-sexualization of the Black body may exclude Black LGBTQ+ youth and young adults from conversations about social well-being, connectivity, and other forms of positive interpersonal engagement. 

The Intersectional Pride flag was introduced by Danial Quasar in 2018 to underscore the importance of greater inclusion within the LGBTQ+ community. A black and brown chevron was added to the LGBT Rainbow Pride flag to represent racially marginalized LGBTQ+ community members, and the colors pink, light blue, and white-colored chevrons were borrowed from the Transgender Pride Flag. Source: Canva

Black LGBTQ+ youth face discrimination at the intersection of their race, sexuality, and gender identity both at school and at home. I find the complexity of Black LGBTQ+ social support interesting because seeking support from both inside and outside their families can be both beneficial and potentially harmful. For instance, there is a link between LGBTQ+ affirming schools and reduced attempted suicide [4]; however, Black LGBTQ+ students attending majority Black schools were least likely to have a gender and sexuality alliance support group. [5]

In conjunction, Black young adults place great importance in connecting with their family compared to other racial groups; however, Black LGBTQ+ youth continued to experience greater rejection from their family and Black peers. [6] However, dialogue about the social support from their family of origin and close friends (i.e., chosen family, fictive kin) often assumes that these support systems operate independently.

As systemic changes propose a threat to make schools less affirming spaces, it will be increasingly important to understand how to aid Black families in their efforts to support their Black LGBTQ+ youth. My current research seeks to understand the role of Black LGBTQ+ young adults’ social support networks play as they navigate oppression that targets their racialized sexual and gender identity. Furthermore, I hope to shed more light on the interconnectedness of Black LGBTQ+ young adults’ social support network.

What Can We Do Now?

  • For most LGBTQ+  youth, the best way for parents and caregivers to demonstrate their support is by accepting and welcoming their LGBTQ+ friends or partner(s).
  • When LGBTQ+ youth choose a name that better reflects their gender identity, avoid “deadnaming” (the name given at birth).
  • Pronouns are essential tools that validate LGBTQ+ youth and young adults’ gender identity. When in doubt, use their name and ask about their pronouns.
  • We all make mistakes. If you misgender a person, it is important to acknowledge your error and apologize without making it about you.
  • LGBTQ+ youth of color may be more reluctant to report harm or harassment, so be proactive by offering your support while also bolstering their autonomy.
  • Listen, reflect, and talk respectfully with LGBTQ+ youth about their identity. Supporting LGBTQ+ youth may mean finding help and resources to process your personal feelings, expectations you developed as a parent, prejudices (we all have them), and identifying areas of growth with other adults.
  • Keep learning! The GLSEN national network provides resources for students and educators, including research and educational webinars. Also, the LGBT Family Acceptance Project is a great resource for research, training and readings.
  • Race and ethnicity are important to understanding sexual and gender identity. The National Black Justice Coalition provides great resources including a terminology workbook, a gender justice toolkit, and culturally informed dialogue and reports.
  • The Trevor Project LGBTQ+ young people can access free confidential crisis counseling via chat, phone, and text through The Trevor Project.

References

[1] Freedom for all Americans

[2] Trevor Project: 2022 National Survey on LGBTQ Youth Mental Health.

[3] Day, J. K., Fish, J. N., Grossman, A. H., & Russell, S. T. (2020). Gay‐straight alliances, inclusive policy, and school climate: LGBTQ+ youths’ experiences of social support and bullying. Journal of Research on Adolescence, 30, 418-430.

[4] Trevor Project: 2022 National Survey on LGBTQ Youth Mental Health.

[5] Truong, N. L., Zongrone, A. D., & Kosciw, J. G. (2020). Erasure and resilience: The experiences of LGBTQ students of color, Black LGBTQ youth in U.S. schools. New York: GLSEN.

[6] Hailey, J., Burton, W., & Arscott, J. (2020). We are family: Chosen and created families as a protective factor against racialized trauma and anti-LGBTQ oppression among African American sexual and gender minority youth. Journal of GLBT Family Studies, 16(2), 176-191.

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Lamont Bryant (they/them) is a community psychology doctoral student at the University of Virginia. Inspired by Black feminist and queer/quare theory, Lamont seeks to understand the development of psychosocial-informed protective practices. Specifically, their research examines Black women, and sexual and gender minorities’ formation and utility of social support, both in-person and online. Lamont is a first-generation student and the recipient of the Graduate School of Arts and Sciences’ Department Diversity Recruitment Award and the Dean’s Doctoral Fellowship. Before attending UVA, they lectured for several years at the University of Baltimore and Towson University’s Department of Gender and Women’s Studies. At the University of Maryland’s School of Medicine, they coordinated specialty health educational assistance and professional development for youth and LGBTQ-serving organizations and providers. Additionally, Lamont mentored a team of Black LGBTQ+ young adults through an empowerment framework and utilized community-based participatory research methodologies and systematic tools to gather community input for targeted interventions created for and with LGBTQ+ youth of color.

Student’s Legacy Art with Historical Representation

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Newport News Public Schools (NNPS) in Newport News, VA has a Youth Development Department whose primary goals are promoting student success, student wellness, and creating productive collaborations with stakeholders to implement quality programming that promotes overall wellbeing for all students.

The Youth Development Department operates on the premise that all young people will be successful when offered the right combination of opportunities, supports, and services. NNPS Youth Development is also dedicated to the wellbeing of young people, no matter what circumstances they may face.

Recently, NNPS Youth Development shared art from the walls at one of their High Schools. Shared here is that art in celebration of Youth Art Month. 

Hallway Artwork

Woodside High School, Center for Arts and Communications Magnet program for Newport News Public Schools, fills their halls with legacy art work pieces. Magnet and AP students have the option to leave a legacy piece that will be rotated in the hall galleries. Legacy pieces have historical representation of the students and talents that have come through the school’s magnet program. The hallway artwork is a unique feature to the building and overall culture of the school. Department Art Teachers include Rick Shelton, Bill Kaoudis, Cathy Hilton and Heidi Bogan.

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Art Can Be a Force of Change

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By: Maya Koehn-Wu

Maya also took over the Youth-Nex and Equity Center Instagram accounts to talk more about this blog and her experiences with the Sound Justice Lab.

Highlights: 

  • Maya is a second year undergraduate majoring in Urban and Environmental Planning with a minor in Dance. 
  • In celebration of Youth Art Month, Maya shares more about how she was encouraged to be creative and engaged with her community during her teen years.
  • Now she is bridging art and social justice issues as she continues using her creativity to change the world.

I consider myself an artist across multiple mediums. I draw, I paint, I dance, and more.

I began making art when I was young. In high school, I developed my own style, where my artwork depicted gestural figures in motion, dancing in a time-space continuum of energy. Creating and making such pieces became a way for me to create action in a space of stillness. It was a way in which to communicate the complexity and chaotic dimension of movement within a controversial space, within everyday life, within a dance piece.

Source: Maya Koehn-Wu

My dancing simultaneously – whether it was within the studio or at community events (where our dance company would put on productions that told Latin folktales in order to share and teach about Latin Culture), became an extension of my art; bringing a shared energy of pastels and color to moving about on a stage. Dancing Flamenco became a passion; where stomping to a rhythm also was a way to tell a story through movement and not words.

Source: Maya Koehn-Wu

Why Be Creative

Art for me has always been about creating a space for self expression where words often can’t, which is true for many young people. My high school teacher always said, “it is important to create something everyday.” I have since taken those words to heart.

Whether I am sewing, cooking, dancing, painting, drawing, or creating graphics for internships, I have always taken it upon myself to create daily.

I think adults should encourage youth to find creative outlets, to explore different avenues for expression, and foster the development of young artists to be creative.

In a world of standardized testing and schooling, there is often little room for subjective creativity and emotional intelligence. Creativity fosters skills that move people, skills that bridge people together, skills that foster empathy and emotion. It is this power to foster emotion and share common humanistic values that makes art so powerful.

Being an Active Community Member

Growing up, my parents always encouraged me to give back to my community. The Latin Ballet, the studio I danced at, was centered around bringing in the community. After each production we would bring the audience on stage with us to come learn some steps of Bachata, Salsa, or Flamenco.

This helped me connect with kids younger than me, but also share my talents to inspire the next generation of youth artists.

I became passionate about being an even more active member of my community. I worked as a kayaking instructor on the river, where I grew to understand the importance of conservation. I became an activist on fighting to mitigate issues surrounding Climate Change and became empowered by the power of Greta Thunberg’s voice shouting:

Youth CAN make a difference.

Within Richmond, VA I then began interning at a project directed towards studying urban heat islands, where I learned that impoverished neighborhoods and certain streets of Richmond were often 10+ degrees hotter than other parts of the city due to limited tree coverage. From that experience I learned that green space, poverty, equity, and resource access are all interconnected.

I became emboldened to be a voice and advocate for equitable change.

Bridging Art & Social Justice

It wasn’t until I learned that art and equity development can be connected that my perspective on the world transformed.

I have begun to work in a space where dance, music, and art drive my social justice projects. Today I work as an intern at the Sound Justice Lab, a social justice project affiliated with the UVA Equity Center and centered around amplifying voices of gender discrimination. I create graphics, flyers, website material, and visual content that incorporates my artistic passion to present expressive visuals that are measurable and meaningful.

Source: Sound Justice Lab

I also work on a project called Project Drumline, where we teach kids rhythm with bucket drumming, music, and dance through City of Promise.

On my journey to become an active and artistic citizen, I have learned that art brings in a level of emotion and depth that sparks conversations amongst people, and conversations are the key to beginning to enact change. I have learned of the power of expression behind a piece of art. I have learned that being creative is a way for me to fight for change and to bring profound meaning to my causes.

Youth are looking for a place to express themselves, to find their own voices.

We want to be a force of change, and sometimes all it takes is putting some color on a piece of paper and other times it’s turning on music and moving your body.

Just remember, art can change the world.

Maya and her sister founded an organization, SistersProjectPeru, who’s ultimate hope is to build a sustainable medical clinic in rural Huacahuasi Peru in the hopes of increasing healthcare accessibility and empowering women on a global scale. Maya recently held an auction of her art to raise money for the organization. To learn more, please visit https://www.sistersprojectperu.org/.

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Maya Koehn-Wu is a second year undergraduate student at the University of Virginia. Her intersectional identity as a multiracial female inspires her exploration of different cultures and drive to constantly be making global connections and impacts.Through dance, art, and creative social justice work, she seeks to experience the world outside of where she lives. In addition to being a globally minded, assertive, and politically vocal citizen, she is working as an environmental activist seeking to work within the global community to tackle climate change.