Schools Should Support Holistic Adolescent Development & Here’s How

By: Allison Rae Ward-Seidel & Sophie Yitong Yue

Highlights:

  • Adolescent development is complex and multifaceted, including mental and physical health, cognition, identity, meaning and purpose, emotional, and social domains of development, which are all interrelated.
  • Helping educators support multiple developmental domains may support adolescents’ cognitive development and foster academic success in school.
  • Schools can play a role in holistic adolescent development, and highlighted here are tips and strategies for educators to promote holistic development.
Source: Canva & Youth-Nex’s Portrait of a Thriving Youth

Adolescents spend a substantial amount of their daily time in school. The goal of schools has rightfully been to promote academic skills, such as reading, writing, math, science and history. Since the era of standardized testing, education has been focused on academic achievement, often at the expense of students’ health and wellbeing. However, incorporating students’ health and wellbeing can support academic success.

If we want youth to thrive, we need a holistic approach that not only emphasizes their performance but encourages mental and social development. The Portrait of a Thriving Youth describes domains of adolescent development in a comprehensive way. We highlight those domains and describe specifically how schools and educators can promote positive, holistic experiences for youth that can support academic success.

Physical & Mental Health

Physical and mental health in adolescence includes how young peoples’ brains, bodies, and hormones are changing during puberty. Often physical changes and mental maturity are happening at different rates, which can be confusing for a young person, and the adults who care about them.

To support physical & mental health, schools and educators can:

Cognitive Development

Cognition in adolescence includes the changes happening in the brain that allow students to think more critically and abstractly. This development is important for advanced academic skills, such as in calculus or debate.

To promote cognitive development, schools and educators can:

Identity Development

Identity development in adolescence revolves around important questions like “Who am I?” and “Where do I fit in?”. It is developmentally appropriate for adolescents to ‘try on’ different identities by selecting different clothing styles, appearances, interests, friend groups, or activities.

To promote identity development, educators can:

  • Help youth develop an integrated identity, or a cohesive sense of self, can be motivating for engagement in extracurricular activities and academic achievement.
  • Foster young people’s identity development in both academic and social settings to create a safe and supportive environment.

Meaning & Purpose

Youth are developmentally programmed to reflect on complex questions about their lives and social contexts. An important part of adolescence is actively trying to make sense of the world around you. Adolescents are more attuned to risks and rewards, fairness and justice, and are sensitive to hypocrisy.

To promote meaning & purpose, schools and educators can:

Emotional Development

Emotional development includes identifying and managing emotions in positive and meaningful ways. During adolescence, young people are experiencing more extreme highs and lows, as the part of their brain that initiates and processes emotions is developing rapidly.

Educators can help adolescents:

Social Development

Social development is particularly salient in adolescence as youth spend more time, and place more importance with their peers when exploring independence, identity, and where they fit in the world. Youth model relationship-building and conflict resolution skills after the adults in their lives.

Educators can promote social development through:

  • Active learning strategies that increase engagement, like cooperative group work (e.g., jigsaw assignments can increase empathy), inquiry-based learning, or project-based learning.
  • Building positive student-teacher relationships and student-peer relationships.
  • Implementing restorative practices (e.g., community building circles which can include academic content), and promoting student-teacher relationships among students.  

Supporting healthy young people means supporting all the multifaceted and complex parts of adolescent development. Because these domains are all connected, supporting additional areas of development will contribute to students’ cognitive development and academic success. Balancing these domains can seem overwhelming for one educator; instead, consider building partnerships with community organizations, afterschool programs, and outside groups, to map what resources are available to support different developmental needs.


If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Allison Rae Ward-Seidel is a Ph.D. student at the University of Virginia studying sociopolitical development and school conditions that promote a commitment to social justice among adolescents. Allison taught public school for 6 years before transitioning to education research in psychology and human development. She earned a Masters from Harvard Graduate School of Education and worked as a research project director evaluating a Restorative Practices and Racial Equity initiative in schools. She hopes to continue in education by supporting preservice teachers and advancing scholarship in sociopolitical development.

Author Bio: Sophie Yitong Yue is a Ph.D. student at the University of Virginia studying ecological theory and its implications for behavioral health outcomes. She is also interested in using advanced quantitative methods to analyze national longitudinal data. She holds a Master’s degree in Educational Psychology and hopes to continue her academic journey in promoting human- and equity-centered approaches in research and all fields.

Round Up: National Mentoring Month 2024

By: Leslie M. Booren

Highlights:

  • January is National Mentoring Month and we are revisiting our archives from the last year.
  • Summarized are the news stories, blog posts and research articles published in the last 12 months, each advancing our understanding of effective mentoring.
  • Highlighted below are resources associated with youth mentoring, the various sources of mentoring, and adult professional mentoring.
Source: Canva

Researchers at Youth-Nex and the UVA School of Education and Human Development are contributing to a growing body of research on how and why effective mentoring works, as highlighted in this 2024 national mentoring month round-up.

Youth Mentoring

  • Addressing Youth Loneliness: Close youth mentoring relationships can improve mentees’ relationships with other people and their sense of loneliness. In this study, researchers evaluated the relationship between youth mentoring participation and peer social acceptance. Findings suggest that mentoring relationships are the most beneficial for mentees who have fewer relationships but do not necessarily feel lonely. Read Blog Post.
  • Young Women Leaders Program: The Young Women Leaders Program (YWLP) is a community-based mentoring program that pairs undergraduate women with middle school girls. Olivia, a 19-year-old, participated in the program as a middle schooler mentee and now as a UVA undergraduate college mentor. In a Vlog, Olivia shares more about her experiences in YWLP, and some advice for adults and youth who may want to participate in mentoring programs. Watch Youth-Nex Vlog.
  • Caregivers & Natural Mentoring Relationships: A change that occurs during adolescence is the development of close relationships outside of the immediate family unit. This study examined pathways between Black adolescents’ attachment to their parents and the quantity of natural mentors, or other youth and adult relationships in their pre-existing social networks. These Youth-Nex researchers found that more secure parent-adolescent attachment predicted a greater quantity of natural mentoring relationships. Read Article.

Sources of Mentoring

  • Community-Based Mentoring: Youth today face challenges of loneliness and isolation, impacting mental health negatively. Community mentoring programs are one possible solution. In this post, a Youth-Nex & EHD graduate student share more about how mentoring programs should consider the limitations of one-on-one relationships and adopt a comprehensive approach to maximize their impact. Read Blog Post.
  • Informal Mentors & Academic Success: There is little research recognizing pathways through which schools promote human capital development – by fostering informal mentoring relationships between students and their teachers, counselors, and coaches. This study, conducted by a Youth-Nex researcher and colleagues, used longitudinal data from a nationally representative sample of adolescents. Findings suggest that informal mentoring supports students’ long-run academic success, especially for students of lower socioeconomic status. Read Article.
  • Social Support in Mentoring Relationships: Social support is associated with positive physical and psychological health outcomes for youth. This qualitative study examined the sources, forms, and functions of social support youth receive from natural mentoring relationships in their lives. Findings suggest that different types of adults had the capacity to provide different types of support, and their support differed based on the adult’s role with the youth. Read Article.

Adult Professional Mentoring

  • Telementoring: School-based mental health providers play an important role in supporting students, especially at a time when evidence suggests students have increasing needs. This year, a team of our researchers published an article about a telementoring model that is a low-cost, flexible way for school mental health professionals to access professional learning. The findings support the use of telementoring to improve school mental health professionals’ understanding and application of the evidence-based school counseling model. Read Article.

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Leslie M. Booren is the Associate Director for Communications and Operations at Youth-Nex and the Youth-Nex blog editor. In this role, she manages operations, HR, events, communications and marketing for the center. Previously she has worked at the Center for Race and Public Education in the South (CRPES), EdPolicyWorks, and the Center for Advanced Study of Teaching and Learning (CASTL) in various roles from research faculty to managing director. She has a strong interest in community and youth development by bridging applied and research-based practices.

Mentoring Matters, Especially for Young Women

By: Olivia, 19-year-old

Highlights:

  • The Young Women Leaders Program (or YWLP) is a community-based mentoring program that pairs undergraduate women with middle school girls.
  • I participated in this program as a middle schooler mentee and now as an undergraduate college mentor.
  • In this video blog for National Mentoring Month, I share more about my experiences in YWLP, and some advice for adults and youth who may want to participate in mentoring programs.

My name is Olivia and I am a mentor in the Young Women Leaders Program (or YWLP). YWLP is a community-based mentoring program that pairs UVA undergraduate women with middle school girls from the Charlottesville area. I have participated in YWLP both as a mentee in middle school and now as an undergraduate mentor while I’m studying at UVA!

YWLP is unique because it combines one-on-one mentoring with group activities that address girls’ sense of self, scholastic achievement, body image, peer relationships, and healthy decision-making. I know firsthand how YWLP empowers middle school girls as leaders in their schools and communities!

Importance of Mentoring Programs

From my experience, I think that mentoring programs are important because it helps ground both youth and the adult mentors. Being a mentor allows us to reconnect with parts of ourselves that we may have forgotten or lost along the way. For example, giving yourself time to live in that childish energy and relate to young people can be important. When we get older, we forget to do that!

So by being a mentor, youth can remind you how to relax and have fun. But also for the youth, they have someone to help ground and guide them. Mentoring is important for both adults and young people!

My Advice for Adults

To the adults out there that are hesitant in joining a mentoring program, I say just get involved and just do it! Although you may be nervous in the beginning, you have to trust yourself that you are going in with the best intention. Trust that the youth will also go into a mentoring relationship to learn with you.

To ensure you have a positive experience, my advice before going into a mentoring relationship is to:

  • Reflect on yourself.
  • Ask yourself why you want to get involved.
  • Think about what you want to gain from this experience.
  • Consider what you have to offer.
  • Avoid being nervous!

Remember, just have fun! Mentoring is supposed to be an enjoyable experience; it can help you connect with others, and it doesn’t have to always be serious. It is OK to just spend time with youth just so they have a better day, and it doesn’t have to be that you are changing their life. You can learn a lot by just having fun!

This approach actually does exist today, when people discuss varied cultural backgrounds. People allow for differences in attitudes, traditions, foods, clothing, and practices, without trying to force their own views. It has been hard to allow for such debates in the political sphere since the discussion there seems to want to define the “uniquely best American way”. It’s time that the schools taught us again that we are all Americans, even if we have different views.


YWLP, and their big brother program the Men’s Leadership Project (MLP), are accepting mentors or bigs for their programs next year! YWLP is open to marginalized genders including anyone who identifies as a woman or girl, and non-binary and gender non-conforming people who are comfortable in a space that centers the experiences of women and girls. We encourage students from a variety of backgrounds and identities to apply to the Young Women Leaders Program! For more information about YWLP or to donate, please visit their website.

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: My name is Olivia Thompson and I’m a second year at UVA majoring in Sociology and hoping to double major in Spanish. I’m from Louisa, VA. I grew up in a small town and moved around a lot. I plan to go to grad school in the future and hope to eventually become a licensed clinical social worker. I want to live a life based around service and use what I’ve learned from those who have guided me to give back to not only my community, but communities that exist outside of me.

Why Access to Youth Theatre Matters, Concluding Youth Performing Arts Series

By: Jessica Harris

This blog post is the fourth and final in a Youth Performing Arts Series by teens involved in the performing arts. For more posts, please visit our blog.

Highlights

  • Empowered Players (EP) is a Fluvanna-based non-profit in VA designed to make a difference in the community through the arts. Their mission is to uplift the human spirit through access to quality arts experiences, youth empowerment, and community service through free & accessible K-12 theatre education and programming. 
  • For the past few months, the Youth Performing Arts Series has highlighted youth involved with EP sharing more about their experiences and perspectives engaging in the performing arts. 
  • In this fourth and final blog post, Jessica Harris, Founder and Artistic Director of EP, shares more tips and strategies for running a rural youth performing arts program, and about how applied development research is embedded into that work.
Source: EP, Midsummer Night’s Dream Cast, Summer 2019.

“The show must go on!” Many of us are probably familiar with this age-old adage.  It’s designed to remind us of the importance of perseverance, determination, and the need for the curtain to rise on a performance no matter the obstacles.

But how does this phrase apply in communities where systems, structures, and ecosystems are designed such that the show – both literally and figuratively – often cannot go on? This is the reality for many rural counties across the country, and my experience growing up where access to afterschool programs – particularly those in the dramatic arts – was few and far between. 

This access gap is felt by many students and families where programs are either too expensive, far away, or inaccessible due to the ability level needed. According to a report by Afterschool Alliance, roughly 4.5 million rural students would be enrolled in an afterschool program if afforded the opportunity; with the majority of parents citing cost and limited access as main barriers to entry.

In efforts to provide students with access to arts while closing the opportunity gap, I founded Fluvanna-based Empowered Players (EP) in 2016. The 501(c)3 organization fosters accessible theatre experiences for students who might otherwise lack access to the arts. Our mission is to uplift the human spirit through access to quality arts experiences, youth empowerment, and community service.

Photo source: EP, Empowered Players Students Rehearse Peter Pan Jr., Spring 2018.

The Power of Theatre

Arts programs are often life changing for students. As we’ve heard from our EP Teen Arts Board (TAB) members in this Youth Performing Arts Series, theatre offers students a variety of skills and benefits aside from the warmth of the spotlight. Here’s some of what our students said that affirmed the findings of researchers and experts from the field:

Social and Emotional Learning (SEL) & Positive Youth Development

Youth VoicesWhat Experts Say
Maya shared that, “Without theatre I would be much less assertive and would probably care more about what people think. In theatre you regularly embarrass yourself and do ridiculous things. By doing that in this safe place, it’s easier to do in public.”Researcher Jane Dewey writes: “Theatre is an exploration of human emotion, human behavior and human action…. the process of drama is used not for production, but for exploration.” Students explore roles onstage; examine characters’ thoughts and feelings; try out new skills in improvisation games; and thus, fine-tune their SEL skills. 

Friendships & Confidence

Youth VoicesWhat Experts Say
Gloria said, “Throughout the year my confidence has gone up. For example, I can make friends easier now, and it is easier for me to talk to people that I don’t really know. I have also noticed that I have become more confident in speaking in class in front of classmates and teachers, and that I can express my thoughts and opinions more freely and without worrying too much about what they think.”Sandra Ruppert found that theatre increases students’ “self-confidence, self-control, conflict resolution, collaboration, empathy, and social tolerance” (p. 14) – all of which are essential for increased friendships and confidence.

Creativity, Problem-Solving, & Innovation

Youth VoicesWhat Experts Say
Anna and Kessler believe that theatre “can improve public speaking ability, increase creative thinking skills, and includes people from many different backgrounds and walks of life through the diverse roles available.”In a report on 21st Century Skills, Colleen Dean & colleagues found that theatre and arts programs teach essential skills such as outside-the-box thinking, collaborative skills, and innovation through elements that are required to put on a show.
Source: EP, Owen (one of the youth bloggers) and Jessica Harris working together on a project at Empowered Players rehearsal in 2019.

Tips & Advice for Adults

While EP continues to adapt to our community’s needs and interests, there are a few key lessons learned that may prove useful for others who hope to engage in this type of meaningful work. Whether you are a teacher, a community organizer, a parent, or other person invested in positive youth development, my hope is that these tips and strategies will help you support youth in the performing arts.

  • Focus on the Process: Our mantra is process is the product. Just as no theatre will have a good performance if the creative process was lackluster, the same holds true for organizations working with students. Educators should focus on offering a robust, SEL-centered experience rather than focus on “just putting on a show.” (The Educational Theatre Association has a number of SEL-informed lesson plans for theatre educators for this purpose.) And I encourage parents to recognize how learning and practicing SEL skills in theatre as a process (and not just the end show) can impact successful social functioning in the future.
  • Community & Arts Go Hand-in-Hand: One of the most meaningful parts of Empowered Players is our Teen Arts Board program, where students volunteer in our community using the arts. From holding community-wide talent shows to storytime readings at our local library, our teens find ways to use their creative talents to enhance the community and bring the power of theatre to life. I encourage educators to find similar ways to align learning and embed service into the creative parts of this work. Community organizers should reach out to theatre groups and help build bridges to the arts if they don’t already exist. If there are parents whose teens are involved in theatre, consider encouraging those leaders to find pathways to the community too!
  • Access, Access, Access: Some of the greatest parts about theatre are the infinite touchpoints it provides. Have a student who’s less comfortable onstage? Allow them to run the lights and sound. Know of students who are visual-arts-oriented? Make space on the costume design team for them. Theatre is for everyone whether it is in school-based or in the community!

Additionally, EP’s programs are all free-or-reduced cost. Recognizing that this may not be possible for every community, we encourage folks to be mindful of ways they might be able to keep their program accessible. It’s amazing what can be done with a simple gathering space, upcycled costumes, and a group of passionate students!

And if you are an adult who is fortunate to be able to monetarily support the arts, please consider donating to youth performing arts programs because it’s clear that their results have long lasting effects on the students involved.

Photo source: EP, Gloria & Ruby (two of our youth bloggers) work in the lights and sound booth at the Carysbrook Performing Arts Center, Spring 2023.

Next Steps

I am so heartened by what our students shared about the impact that theatre had on their lives. I encourage all adults and communities to consider bringing the transformative power of theatre to their own contexts, no matter how big or small. The show can go on, and I believe we owe it to all students to give them a chance to shine – both on and off the stage.

If you’d like to stay in touch or learn more about how theatre education can impact your community, you can reach me at empoweredplayersvirginia@gmail.com. To support Empowered Players, visit our website here.


The posts in the Youth Nex Youth Performing Arts Series are submitted by teens who are a part of the Empowered Players Teen Arts Board (TAB). The TAB is designed to create a space for teens to shape the arts landscape of Fluvanna County, VA, volunteer in their community, and co-create arts programming for EP. Each blog will feature topics selected by TAB members, and is designed to uplift their thoughts around the importance of the performing arts.

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Jessica Harris is the Founder and Artistic Director of Empowered Players, a 501(c)3 arts education nonprofit in Fluvanna, VA, and Community Research Program Manager at the UVA Equity Center. Through EP, she directs and provides yearlong accessible arts programs for K-12 students, and her TEDx Talk titled “The Transformative Power of Theater in Rural Communities” highlights her work. Jessica holds a Master’s in Applied Development Science – Educational Psychology from the University of Virginia, where she also earned an interdisciplinary B.A in arts nonprofit management & education.

Youth Performing Arts Series: The Theatre Community

By: Ruby (9th grader), Owen (8th grader), Maya (9th grader), & Rachael (8th grader) from Empowered Players (EP)

This blog post is the third of four in a Youth Performing Arts Series by teens involved in the performing arts. For more posts, please visit our blog.

Highlights

  • Empowered Players (EP) is a Fluvanna-based non-profit in VA designed to make a difference in the community through the arts. Their mission is to uplift the human spirit through access to quality arts experiences, youth empowerment, and community service through free & accessible K-12 theatre education and programming. 
  • In this Youth Performing Arts Series, youth involved with EP will share more about their experiences and perspectives engaging in the performing arts. 
  • In this third of four blog posts, Ruby, Owen, Maya and Rachael talk about community, social interactions and how these new skills will help them as adults.
Source: Empowered Players

We all know that community and social interaction is a vital part of humanity. Without it, we can’t grow and expand our knowledge of the world. Empowered Players aims to create a safe and diverse community that is accepting and inclusive. Being part of the Empowered Players community has changed us for the better, and here some examples of how: 

  • “We have met many new friends. Empowered Players is a family, and we are all very grateful to be part of it.” Rachael Broxon, an aspiring playwright and author, explains. “With the addition of Empowered Players to our lives, we’ve had more chances to make friends and interact with people we never would have met otherwise.”
  • “Theatre changed our lives by introducing us to new people. Some of the people we were introduced to were people from different grades, homeschoolers, and people from other counties.” Owen Kaider says. According to Owen, if he had never joined theatre he wouldn’t have started his shoe company, Elvara Custom. Theatre gave him the confidence to pursue his dreams. 
  • “Empowered Players has given me more confidence. It helped me to learn to speak louder and how to convey things without using words.” Maya Blackburn, a martial artist and animal lover, mentions. “Without theatre I would be much less assertive, and would probably care more about what people think. In theatre you regularly embarrass yourself and do ridiculous things. By doing that in this safe place, it’s easier to do in public.”
  • “Ever since I joined Empowered Players, I have been much more confident. I would have passed up countless opportunities if I had never joined Empowered Players. Before doing my first show, I probably would’ve passed out at even the thought of performing on stage.” Ruby Godlewski says. 

Building Community 

Theatre changed our lives by introducing us to new people. Ruby wouldn’t have joined high school theatre if she hadn’t participated in Empowered Players. It helped Ruby to already have connections and know more people. If Maya hadn’t joined Empowered Players, then she wouldn’t have made as many friends, and it helped her to think faster on her feet.

Empowered Players gives new perspectives to kids. Older and younger kids mix, which gives the younger kids people who are not much older than them to look up to. The teenagers have the younger ones around, and that helps them to remember what it’s like to be little, and holds them to a standard that should keep them being responsible. The different age groups mix, and they get along more than some would think. That is beneficial for both of the groups.

The Theatre Community & New Skills

We had to learn how to work together for a production to go well. Those same skills can also apply to real life, too.

If an ensemble doesn’t work well together, then the show won’t be good, and the audience will be confused. Most workplaces function the same. If staff don’t get along and don’t collaborate well, then people could get fired and the business won’t succeed as much as it should. We learned to work well together, even if we weren’t friends or didn’t particularly like each other. Previous theatre groups we attended weren’t nearly as efficient because their community was not quite as advanced as it is here with Empowered Players.

Theatre gets kids out of their shells. Before joining Empowered Players, we were shy, and much quieter. Now we are more outgoing and less soft-spoken. When we need to be loud, or talk authoritatively, we can, whereas before, we didn’t know how. We’ve learned how to speak in different ways, and that helps us when speaking to adults, or to younger kids. Theatre has helped us learn how to better express ourselves, and by learning how the characters feel, it’s helped us to figure out how we feel. When we had to identify how our characters felt, so that we could better embody them it helped us to learn how to identify feelings in general, including our own. 

Because of our growing, nurturing, and accepting community, Empowered Players continues to “change the world, one show at a time.”


The posts in the Youth Nex Youth Performing Arts Series are submitted by teens who are a part of the Empowered Players Teen Arts Board (TAB). The TAB is designed to create a space for teens to shape the arts landscape of Fluvanna County, VA, volunteer in their community, and co-create arts programming for EP. Each blog will feature topics selected by TAB members, and is designed to uplift their thoughts around the importance of the performing arts.

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Maya is a freshman at Fluvanna County High School and has been involved with theatre since 4th grade. She has been with Empowered Players for five years, and has been in both musicals and plays. Maya is part of the tech crew, and did the lighting for the fall Rudolph Musical. Last fall was her biggest role with Empowered Players in which she was Wednesday in the Addams Family Musical. This is her first time writing for a UVA blog.


Author Bio: Owen Kaider is an 8th grader at Fluvanna County High School and has participated in Empowered Players for five years. His previous roles with EP include Charlie in Willy Wonka, Rooster in Annie, Marty in Madagascar, Olaf in Frozen, and Sam the Snowman in Rudolph. He is also an aspiring sound designer and managed sound for EP’s series of original plays this past fall. Owen also recently founded a shoe company titled Elvara Custom. He looks forward to designing sound for EP’s upcoming production of The SpongeBob Musical: Youth Edition.


Author Bio: Ruby Godlewski is a freshman at FCHS. She’s been a member of the Empowered Players community for about 6 years. She is a member of the EP Teen Arts Board, and you can catch her onstage starring as SpongeBob in The SpongeBob Musical: Youth Edition this spring.

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Author Bio: Rachael is in eighth grade and has been with Empowered Players for six years. She loves doing musicals and is looking forward to performing The SpongeBob Musical: Youth Edition this spring. She is an aspiring author and is currently working on a top secret project that’s not really that secret at all.

Youth Performing Arts Series: Debunking the “Theatre Kid” Stereotype

By: Kessler (11th grader) & Anna (10th grader) from Empowered Players (EP) and members of EP’s Teen Arts Board (TAB).

This blog post is the second of four in a Youth Performing Arts Series by teens involved in the performing arts. For more posts, please visit our blog.

Highlights:

  • Empowered Players (EP) is a Fluvanna-based non-profit in VA designed to make a difference in the community through the arts. Their mission is to uplift the human spirit through access to quality arts experiences, youth empowerment, and community service through free & accessible K-12 theatre education and programming.
  • In this Youth Performing Arts Series, youth involved with EP will share more about their experiences and perspectives engaging in the performing arts.
  • In this second of four blog posts, Kessler and Anna debunk a few theatre myths and stereotypes that haunt the industry.
Source: Empowered Players Teen Arts Board

There are a lot of stereotypes about theatre kids. Some say we’re anti-social coffee addicts who can’t go anywhere or do anything because “we have rehearsal.” Some say we’re Hamilton obsessed geeks who speak only in showtunes and Shakespeare. Although they might have a point, theatre is much more than the stereotypes.

Theatre, especially Empowered Players, helps budding actors and actresses in many ways. It can improve public speaking ability, increase creative thinking skills, and includes people from many different backgrounds and walks of life through the diverse roles available. And while some theatre stereotypes are true (yes, we are that loud; yes, some of us are that obsessed with Hamilton or Dear Evan Hansen), many are not. This blog debunks a few myths that have permeated the industry for years, especially for youth.

Mythbusting the “Theatre Kid”

To begin with, many people are afraid of theatre because of how it is portrayed in the media. Television and movie producers love to show theatre as something that is filled with gossip and drama, or mean girls and nerds. This does not give theatre a chance! It is an unique art that allows actors to become different people for a few hours a week while boosting beneficial skills such as confidence and public speaking. The myriad perks of theatre are overshadowed by the harmful stereotypes that continue to circulate both within and outside the community. Let’s lay these myths to rest and prove that theatre is truly for everyone!

Debunk: “I can’t, I have rehearsal”

One of the major drawbacks that can dissuade students from entering theatre is the heavy time commitment. Almost everyone has seen or heard the theatre kid meme: “I can’t, I have rehearsal.” And while this can be true (and we have used it to get out of things that we don’t really want to go to), the commitment is no worse than a regular sport. Rehearsals are after school or on the weekends, but many directors are flexible and willing to work with students and their schedules. Since some troupes rehearse on the weekends, afternoons are open for other activities. For example, Anna is in the marching band, which means that she doesn’t have time after school for rehearsals. Since Empowered Players meets on the weekends, she can do both band and theatre. Kessler competes in Forensics through the school, and the weekend rehearsals mean that she has time for homework after school and practice. This is a common occurrence. Many people balance both theatre and other extracurricular activities!

Debunk: “I can only do theatre through my school”

Popular media likes to portray that theatre can only be done through a school (High School Musical, anyone?). While school theatre is definitely an option, it is not the only option. There are many external troupes and programs that allow students to act outside of school hours. These troupes are important because it allows students who don’t go to a traditional school, such as homeschoolers, to experience theatre. There are many community theatre programs that are open to everyone, which opens up theatre opportunities to those who can’ do traditional theatre.

Outside opportunities are also important for those who aren’t comfortable doing theatre through school. Sometimes people have bad experiences with school theatre and are not comfortable going back to school. Community theatre opportunities reopens the door of theatre to those who thought it closed.

Debunk: “I can’t do community theatre because it’s only for adults”

Unfortunately, doing theatre through a community program comes with its own stereotypes. One of the most prominent ideas is that community theatre is only for adults. This is supplemented by many shows that community theatres produce that are not necessarily suitable for teenagers, tweens, or children to act in.

However, many troupes do perform shows that are children-appropriate and sometimes even call for child actors. If someone is interested and there is a community theatre troupe nearby, we suggest reaching out to them and expressing interest. If there is an opening for a child or teen actor, then go ahead and join! If not, then keep reaching out to other troupes and the right one will connect with you! Acting with adults will also increase your skill, since you will be working alongside more experienced actors who can show you some tips and tricks of the trade.

Debunk: “Everyone in theatre already has friends. I won’t be welcome”

The deterrent to many teens in joining new activities is the fear of a clique within that activity that will not accept them. Theatre is infamous for cliquey groups that exclude newcomers, but this is simply not true in most cases. Theatre troupes are welcoming of new actors, especially because more actors means a larger cast. A larger cast means a more in depth and overall fun play. In addition, the people within the groups remember how it felt to be a newcomer to the scene, and as such are welcoming. Theatre, as an art, also attracts kind and accepting people.

Debunk: “Everyone in theatre is dramatic” or “Rehearsals are full of drama”

The final myth that we plan to debunk centers on another name for theatre. Many people call theatre “drama” and this can lead many to believe that actors are backstabbing hooligans, constantly on the lookout for new drama. This is just not correct! Rehearsals are calm places, devoted to the play. While some actors do participate in “backstage drama,” as it is coined, most just want to have a fun show.

Theatre kids also receive an unjust reputation for being “over dramatic.” Seeing as how these people are actors, a certain amount of this is to be expected, but not to the degree that is shown in mass media. The over dramatism is mainly just employed in jokes, and actors know when too much is too much.

Theatre Stereotypes Debunked

Although there are many more myths and stereotypes than what is covered in this blog, we have debunked a few of (what we thought were) the most famous ones that keep youth from entering theatre. An important element to remember is that theatre is not what the media paints it as, and many people from all walks of life enjoy theatre in many different ways. And if acting isn’t something that interests you, that’s okay! Theatre encompasses everything from acting to directing to the technical crew working behind the scenes. All parts are necessary to ensure a successful show. So try out for that musical! Join that community theatre troupe! Take that directing class! Even if theatre is not for you, you will have gained new skills that will benefit you in unexpected but amazing ways.


The posts in the Youth Nex Youth Performing Arts Series are submitted by teens who are a part of the Empowered Players Teen Arts Board (TAB). The TAB is designed to create a space for teens to shape the arts landscape of Fluvanna County, VA, volunteer in their community, and co-create arts programming for EP. Each blog will feature topics selected by TAB members, and is designed to uplift their thoughts around the importance of the performing arts.

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Kessler is a junior in Fluvanna County High School. She competes in Forensics through FCHS and participates in the spring shows performed by the high school. She has been involved with Empowered Players for over six years and has worked on many aspects of the theatre experience, from acting in both ensemble and starring roles, to tech, to management and directing. enjoys both acting and directing. This spring, she is excited to star in Peter and the Starcatcher as Molly Aster. This is her first time writing for a UVA blog.


Author Bio: Anna is a sophomore at Fluvanna County High School and has been involved with theatre since the summer before 4th grade. She did the initial Empowered Players summer camp, and has been involved with the program since. She has been in numerous shows, as well as camps, and has learned theatre management, directing, script writing and playwriting through those camps. She has just wrapped up her latest show, in which she played Alice in the Addams Family Musical. She also did her first mentoring volunteer work with Empowered Players in the Rudolph Musical this past semester.

Youth Performing Arts Series: How Empowered Players Has Helped Me

By: Gloria & Ash, 9th graders from Empowered Players (EP) and members of EP’s Teen Arts Board (TAB).

This blog post is the first of four in a Youth Performing Arts Series by teens involved in the performing arts. For more posts, please visit our blog.

Ash & Gloria also took over the Youth-Nex & Empowered Players Instagram accounts to talk more about this blog and their experiences!

Highlights:

  • Empowered Players (EP) is a Fluvanna-based non-profit in VA designed to make a difference in the community through the arts. Their mission is to uplift the human spirit through access to quality arts experiences, youth empowerment, and community service through free & accessible K-12 theater education and programming.
  • In this Youth Performing Arts Series, youth involved with EP will share more about their experiences and perspectives engaging in the performing arts.
  • In this first of four blog posts, these youth share more about how acting helped them build skills and confidence for the future.
Source: Empowered Players Teen Arts Board

Hi, we’re Gloria and Ash! We are both in 9th grade and have some things in common. For example, we both like to act, to read, to dance, and to do some art. We want to talk about how being involved in Empowered Players has helped us in everyday life and with our acting. In particular, theater has helped us with public speaking, expressing ourselves, confidence, and creativity.

Improving Public Speaking

Empowered Players has helped me (Ash) with many things in my everyday life. One way it’s helped me is in public speaking. When in a play, you always know what to say and when it’s the appropriate time to say it. For example, I was in a play, The Jungle Book. Being in this play showed me the appropriate responses to things that would need to be said when speaking anywhere. For example, when talking to an adult, I am able to think of a response sooner and sound like I know how to talk to an adult. With that, I am now able to plan what I want to say anywhere, and have the ability to improv if I don’t already have a response to something when I need it. It also helps by already being on stage with a bunch of people that you may or may not know.

Expressing Ourselves

Empowered Players has also helped me (Ash) with expressing myself. Performing in a play helps show different emotions and different personalities, and this can help with expressing who you are in everyday life. For example, you could also express yourself in the play and show who you are in the play.

More Creativity

Empowered Players has also helped me (Gloria) with my creativity.

It has helped me because when we are playing improv games, I have to think of something to say quickly and it also has to be creative. My creativity has improved; and I have noticed that when I’m working on little crafts at home, it is easier for me to think of what to make.

Boosting Confidence

Empowered Players has helped me (Gloria) with my confidence, because when I’m in an Empowered Players group, I can be myself. I also learned that people don’t care what you look like or do, and that has really helped with my everyday life. Throughout the year my confidence has gone up. For example, I can make friends easier now, and it is easier for me to talk to people that I don’t really know. I have also noticed that I have become more confident in speaking in class in front of classmates and teachers, and that I can express my thoughts and opinions more freely and without worrying too much about what they think. When I looked at the Halloween costume contest video we recorded with the Teen Arts Board, where I was one of the presenters, I can really tell that I am more comfortable in front of a camera now.


The posts in the Youth Nex Youth Performing Arts Series are submitted by teens who are a part of the Empowered Players Teen Arts Board (TAB). The TAB is designed to create a space for teens to shape the arts landscape of Fluvanna County, VA, volunteer in their community, and co-create arts programming for EP. Each blog will feature topics selected by TAB members, and is designed to uplift their thoughts around the importance of the performing arts.

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

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Author Bio: Hello! I am Ash! I am 15 years old and in 9th grade. I was born in North Carolina and lived there for 13-ish years. Now I live in Virginia.


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Author Bio: Hi! My name is Gloria! I am 14 years old and I was also born in North Carolina. I go to Fluvanna County High School.


Re-Engaging Youth in Out-of-School Spaces

By: Ashlee Sjogren

Highlights:

  • Engaging students in out-of-school spaces is critical to supporting the whole student. Peers, families, program content, and a fun environment all serve as sources of engagement that programs can optimize on.
  • However, both interpersonal tensions and repetition of content can be reasons that middle school students decide not to engage in afterschool programs.
  • In this blog, we provide recommendations for afterschool stakeholders as they consider how to encourage youth engagement.
Source: Youth-Nex

The role of afterschool and summer learning spaces is perhaps even more critical in our mid-/post-pandemic world than ever before. With the rise of online learning, social isolation, and student mental health issues,[i] afterschool spaces serve as a needed additional support to students’ achievement and development.[ii] However, as we re-embark on in-person learning environments, one question stands out: How do we re-engage students, particularly middle school students from historically marginalized communities[iii], in productive afterschool programs?

Sources

In a recent report of middle school students’ engagement in afterschool programs, students identified three key sources and two key barriers to engagement[iv]:

  1. Program Content – Variety in program content is initially appealing for students who are interested in trying new activities that are not traditionally offered in schools. While some students feel that their afterschool program “is fun because you have activities you would be interested in that you can do, like gym kind of things;” others focus on how afterschool programs expose them to new activities, skills, and classes that they wouldn’t ordinarily get to explore. In this way, afterschool programs can provide space for students to explore new interests, gain new skills, and continue to invest in their personal identity development.
  2. Friends & Family — Personal relationships with peers and family also serve as an additional source of engagement for many students. While many elementary-aged students engage in afterschool spaces because their parents sign them up, middle school students tend to “vote with their feet.” In this way, some may choose to engage based off of parental encouragement whereas others are highly influenced by their peers’ engagement decisions.
  3. Fun Environment – Finally, afterschool spaces are different from school. There are fewer rules, more opportunities for student choice, and ultimately often more fun than a traditional school-day environment. This is critical for many adolescents who are seeking autonomy in their decision-making and opportunities to spend time with peers. If we are seeking to promote afterschool engagement for our middle school students, we must be meeting them with fun environments comprised of various activity options, freedom to select their activities, and opportunities to learn new skills and meet new people.

Barriers

Even in the presence of a well-designed and thoughtful afterschool program, there is still the risk of creating unintentional barriers to adolescent engagement. For example, the following two barriers rose to the surface:

  1. Repetition of Content—Although program content is initially appealing to many middle school students, it can run the risk of developing into a barrier if not adequately differentiated. Students voice that afterschool programs are boring when “we just keep doing the same thing.” Thus, we must not only diversify our course offerings in afterschool spaces but also think critically about keeping the day-to-day content and activities fresh for students.
  2. Interpersonal Tensions – Lastly, given the prominence and importance of peers during early adolescence, it is important that educators are keenly aware of peer relationships. Although the afterschool space provides a unique opportunity for continued engagement amongst peers, it is not immune to the school-day tensions such as name-calling, nagging, and other forms of bullying.  These interpersonal tensions can unintentionally push students out of the afterschool space.

Further, it is important to note students’ experiences with these sources and barriers of engagement varied based on their reported level of engagement.

For example, students who reported lower levels of engagement more often reported interpersonal tensions as a barrier, highlighting how they may be the group most at risk for alienation in educational contexts.

Given this, educators should think critically about the impact of barriers on students who may appear to be on the margins of the program such as those with sporadic attendance.

Moving forward, afterschool educators, parents, and teens can adopt the following suggestions to promote youth engagement across formal and informal learning contexts.

  1. Ramp up family outreach/engagement efforts to ensure families are adequately informed of program offerings.
  2. Provide tangible spaces for student feedback to be voiced, considered, and implemented in day-to-day programming decisions.
  3. Develop leadership opportunities for students such as 1) serving as peer recruiters; 2) serving on a student leadership council; 3) mentoring younger students; and 4) serving as a Teaching Assistant in a course they have mastered.
  4. Adopt a culturally sustaining discipline approach that seeks to solve the root of interpersonal tensions (i.e., CRPBIS, Restorative Practices).
  5. Adopt leveled approaches to programming which allow youth to continually refine their skills over time.
  6. Provide various class opportunities (through community partnerships) and hold program providers accountable to fresh and engaging lesson plans.

Strategies of this sort address adolescents’ need for autonomy and belonging, and further foster their identity exploration. In doing so, they foster spaces that middle school students genuinely desire to engage and promote continued participation.


References

[i] CDC, 2020

[ii] Durlak et al., 2020

[iii] Afterschool Alliance, 2020

[iv] Sjogren et al., 2021


If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Ashlee Sjogren, Ph.D. is a post-doctoral research associate at Youth-Nex: Center to Promote Effective Youth Development, University of Virginia. Her research is broadly focused on equitable education both in- and out-of-school. Most recently, Dr. Sjogren has investigated student access and engagement in out-of-school contexts. As an educational psychologist, Dr. Sjogren often brings both a social context and motivation lens to understanding questions of equity, access, and motivation.