Category Archives: Youth Voice

Pass the Mic Series: Youth Voice & Agency in Schools, How to Empower Youth Voice in Schools

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By: Maya R. Johnson

Highlights:

  • Youth are experts on what they need and do not need in schools, so their voice needs to be heard in discussions on changes and innovations.
  • Teachers and administrators play a vital role in empowering youth voices in schools.
  • In this blog as part of the Pass the Mic series, read about the strategies panelists mentioned that schools can implement to empower youth voice from the third session about “Youth Voice and Agency in Schools” during the 8th Youth-Nex conference entitled Pass the Mic: Amplifying Youth Voice & Agency.
Source: Youth-Nex

“Students are the experts on what they are learning,” says Dr. Graves. Heads nod around the room, with mine being one of them. In education-related decisions, it is common for youth, who will be impacted by these decisions, to be left out of the conversation. A shared sentiment amongst the panelists was that youth voices should be empowered and that these voices should be heard in school spaces where decisions are made. The purpose of this panel was to address the question: How can youth voices be empowered by schools?

How to Empower Youth Inside Schools

School is where youth spend most of their time, meaning that students know what they need and what will work. The following strategies were suggested by panelists on how to empower youth in schools:

  • Principal advisory committee: Students meet with their principal and share suggestions on how to make their school a place they want to attend.
  • Student-community partnerships: Students and community partners are brought together in conversation on areas that need improvement.
  • Challenging projects in the classroom: Students complete individual multi-step projects that target challenges that youth see and allow them to create steps to solve those challenges.
  • Skill-building opportunities: Students have opportunities to practice skills needed to engage in actions and changes.
  • Create intentional spaces: Youth have access to spaces where they can practice self-governance.

How Teachers Can Help

Teachers can help empower youth voices by implementing strategies that avoid regression. Such strategies are building a personal relationship with each individual student, creating an environment of freedom of expression in the classroom, embracing the role of facilitator, and having “be real” moments during which teachers make sure that their students understand and retain the information taught. Through these strategies, not only will regression be avoided, but youth voices will be empowered because students will feel supported by their teachers and have the space necessary to grow confident and comfortable using their voice.

How Administrators Can Help

Administrators can help empower youth voices by making sure that young people feel safe when using their voice. Through consulting youth directly on what the word “safety” means to them and creating spaces where students feel comfortable sharing how they feel and what affects them without judgment, youth will know that their voice is acknowledged by leaders in their school. A key to administrators contributing to the empowerment of youth voice effectively is that they must be open and ready to hear feedback, rather than taking student feedback personally.

My Thoughts

Students know their experiences in schools. They know what innovations and systems work and do not work. They know what they need and do not need.

Students’ voices should and need to be not only heard, but also given genuine space during the school decision making process.

Once schools begin to empower and listen to youth voices, strong leaders will be developed, and schools will be transformed to effectively impact the lives of youth.

Source: Youth-Nex

Did you miss one of our six sessions from the Pass the Mic: Amplifying Youth Voice & Agency conference? Go back and watch these panels with youth voices, and read the summaries, primarily written by the youth participants, on the following topics:

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Maya Johnson is a second year at the University of Virginia majoring in Youth & Social Innovation and minoring in Religious Studies. She is a member of the Education Council, member of the leadership team for SEEDS4Change, co-event chair for the Youth & Social Innovation Executive Board, and a volunteer for Virginia Ambassadors.

Why Access to Youth Theatre Matters, Concluding Youth Performing Arts Series

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By: Jessica Harris

This blog post is the fourth and final in a Youth Performing Arts Series by teens involved in the performing arts. For more posts, please visit our blog.

Highlights: 

  • Empowered Players (EP) is a Fluvanna-based non-profit in VA designed to make a difference in the community through the arts. Their mission is to uplift the human spirit through access to quality arts experiences, youth empowerment, and community service through free & accessible K-12 theatre education and programming. 
  • For the past few months, the Youth Performing Arts Series has highlighted youth involved with EP sharing more about their experiences and perspectives engaging in the performing arts. 
  • In this fourth and final blog post, Jessica Harris, Founder and Artistic Director of EP, shares more tips and strategies for running a rural youth performing arts program, and about how applied development research is embedded into that work.
Source: EP, Midsummer Night’s Dream Cast, Summer 2019.

“The show must go on!” Many of us are probably familiar with this age-old adage.  It’s designed to remind us of the importance of perseverance, determination, and the need for the curtain to rise on a performance no matter the obstacles.

But how does this phrase apply in communities where systems, structures, and ecosystems are designed such that the show – both literally and figuratively – often cannot go on? This is the reality for many rural counties across the country, and my experience growing up where access to afterschool programs – particularly those in the dramatic arts – was few and far between. 

This access gap is felt by many students and families where programs are either too expensive, far away, or inaccessible due to the ability level needed. According to a report by Afterschool Alliance, roughly 4.5 million rural students would be enrolled in an afterschool program if afforded the opportunity; with the majority of parents citing cost and limited access as main barriers to entry.

In efforts to provide students with access to arts while closing the opportunity gap, I founded Fluvanna-based Empowered Players (EP) in 2016. The 501(c)3 organization fosters accessible theatre experiences for students who might otherwise lack access to the arts. Our mission is to uplift the human spirit through access to quality arts experiences, youth empowerment, and community service.

Photo source: EP, Empowered Players Students Rehearse Peter Pan Jr., Spring 2018.

The Power of Theatre

Arts programs are often life changing for students. As we’ve heard from our EP Teen Arts Board (TAB) members in this Youth Performing Arts Series, theatre offers students a variety of skills and benefits aside from the warmth of the spotlight. Here’s some of what our students said that affirmed the findings of researchers and experts from the field:

Social and Emotional Learning (SEL) & Positive Youth Development

Youth VoicesWhat Experts Say
Maya shared that, “Without theatre I would be much less assertive and would probably care more about what people think. In theatre you regularly embarrass yourself and do ridiculous things. By doing that in this safe place, it’s easier to do in public.”Researcher Jane Dewey writes: “Theatre is an exploration of human emotion, human behavior and human action…. the process of drama is used not for production, but for exploration.” Students explore roles onstage; examine characters’ thoughts and feelings; try out new skills in improvisation games; and thus, fine-tune their SEL skills. 

Friendships & Confidence

Youth VoicesWhat Experts Say
Gloria said, “Throughout the year my confidence has gone up. For example, I can make friends easier now, and it is easier for me to talk to people that I don’t really know. I have also noticed that I have become more confident in speaking in class in front of classmates and teachers, and that I can express my thoughts and opinions more freely and without worrying too much about what they think.”Sandra Ruppert found that theatre increases students’ “self-confidence, self-control, conflict resolution, collaboration, empathy, and social tolerance” (p. 14) – all of which are essential for increased friendships and confidence.

Creativity, Problem-Solving, & Innovation

Youth VoicesWhat Experts Say
Anna and Kessler believe that theatre “can improve public speaking ability, increase creative thinking skills, and includes people from many different backgrounds and walks of life through the diverse roles available.”In a report on 21st Century Skills, Colleen Dean & colleagues found that theatre and arts programs teach essential skills such as outside-the-box thinking, collaborative skills, and innovation through elements that are required to put on a show.
Source: EP, Owen (one of the youth bloggers) and Jessica Harris working together on a project at Empowered Players rehearsal in 2019.

Tips & Advice for Adults

While EP continues to adapt to our community’s needs and interests, there are a few key lessons learned that may prove useful for others who hope to engage in this type of meaningful work. Whether you are a teacher, a community organizer, a parent, or other person invested in positive youth development, my hope is that these tips and strategies will help you support youth in the performing arts.

  • Focus on the Process: Our mantra is process is the product. Just as no theatre will have a good performance if the creative process was lackluster, the same holds true for organizations working with students. Educators should focus on offering a robust, SEL-centered experience rather than focus on “just putting on a show.” (The Educational Theatre Association has a number of SEL-informed lesson plans for theatre educators for this purpose.) And I encourage parents to recognize how learning and practicing SEL skills in theatre as a process (and not just the end show) can impact successful social functioning in the future.
  • Community & Arts Go Hand-in-Hand: One of the most meaningful parts of Empowered Players is our Teen Arts Board program, where students volunteer in our community using the arts. From holding community-wide talent shows to storytime readings at our local library, our teens find ways to use their creative talents to enhance the community and bring the power of theatre to life. I encourage educators to find similar ways to align learning and embed service into the creative parts of this work. Community organizers should reach out to theatre groups and help build bridges to the arts if they don’t already exist. If there are parents whose teens are involved in theatre, consider encouraging those leaders to find pathways to the community too!
  • Access, Access, Access: Some of the greatest parts about theatre are the infinite touchpoints it provides. Have a student who’s less comfortable onstage? Allow them to run the lights and sound. Know of students who are visual-arts-oriented? Make space on the costume design team for them. Theatre is for everyone whether it is in school-based or in the community!

Additionally, EP’s programs are all free-or-reduced cost. Recognizing that this may not be possible for every community, we encourage folks to be mindful of ways they might be able to keep their program accessible. It’s amazing what can be done with a simple gathering space, upcycled costumes, and a group of passionate students!

And if you are an adult who is fortunate to be able to monetarily support the arts, please consider donating to youth performing arts programs because it’s clear that their results have long lasting effects on the students involved.

Photo source: EP, Gloria & Ruby (two of our youth bloggers) work in the lights and sound booth at the Carysbrook Performing Arts Center, Spring 2023.

Next Steps

I am so heartened by what our students shared about the impact that theatre had on their lives. I encourage all adults and communities to consider bringing the transformative power of theatre to their own contexts, no matter how big or small. The show can go on, and I believe we owe it to all students to give them a chance to shine – both on and off the stage.

If you’d like to stay in touch or learn more about how theatre education can impact your community, you can reach me at empoweredplayersvirginia@gmail.com. To support Empowered Players, visit our website here.

The posts in the Youth Nex Youth Performing Arts Series are submitted by teens who are a part of the Empowered Players Teen Arts Board (TAB). The TAB is designed to create a space for teens to shape the arts landscape of Fluvanna County, VA, volunteer in their community, and co-create arts programming for EP. Each blog will feature topics selected by TAB members, and is designed to uplift their thoughts around the importance of the performing arts.

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Jessica Harris is the Founder and Artistic Director of Empowered Players, a 501(c)3 arts education nonprofit in Fluvanna, VA, and Community Research Program Manager at the UVA Equity Center. Through EP, she directs and provides yearlong accessible arts programs for K-12 students, and her TEDx Talk titled “The Transformative Power of Theater in Rural Communities” highlights her work. Jessica holds a Master’s in Applied Development Science – Educational Psychology from the University of Virginia, where she also earned an interdisciplinary B.A in arts nonprofit management & education.

Youth Engaged in Research: Why Young Investigators Are Important

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By: Shereen El Mallah

This post is the 2nd publication is a YPAR series, which aims to explain participatory research, youth-led measurement and evaluation approaches, and strategies for youth-adult collaborations in YPAR.

Highlights:

  • Participatory research is an approach to research, rather than a single research method, that intentionally considers power and equity with respect to both processes and outcomes.
  • The added value of participatory research for both academic and nonacademic partners can be seen at each and every phase of the research process.
  • In this blog, I share more about why youth involvement in research is essential and how having youth researchers working with youth participants can improve the quality of data collection efforts.
Source: Canva

In a recent Q&A I described what participatory research is, how it is important, and why more researchers should be using it. In this second publication of the series, let’s examine why engaging youth in participatory research can change the existing researcher-subject power dynamic as well as amplify the voice of under-researched groups through meaningful involvement in the research process.

Youth Expertise in Research Processes

Typically, adults conduct research on youth and youth serve as the data source. Accordingly, adult researchers are considered the experts and hold ownership over the research process and data use. However, we know youth have unique insight into their own needs and lived experiences.

Engaging youth in the research process can leverage their expertise on how best to support their own learning and development. By incorporating their voice in the design, implementation, analysis, and/or dissemination stages of research, we are likely to increase the accuracy and validity of research findings, as well as enhance research translation.

Additionally, engaging young people in participatory approaches during adolescence is a developmentally responsive practice.

By collaborating with adults throughout the research process and actively participating in group decision-making, adolescents develop the skills, knowledge and dispositions to be active and engaged community members.

This includes cultivating a sense of self-efficacy and belonging, inspiring a sense of purpose, generating psychological empowerment, promoting strategic thinking…all of which helps to bridge the “civic empowerment gap,” and pushes both adult and youth researchers to more accurately consider how the lives of marginalized individuals are often shaped by their culture, their communities, and the social, political and economic systems they live under.

Young Researchers Engaging Other Youth

When adults interview youth it tends to be a unidirectional process in which the interviewer asks questions and the participant responds. In this case, the power imbalance tends to be two-fold: first in the researcher-participant paradigm and again in the power and social imbalance between adults and youth.

Having youth researchers interview youth participants through peer interviews recognizes that interviewing is a more dynamic social process that involves co-construction of knowledge. It helps to minimize or eliminate a number of factors that can influence adult-youth interviews including:

  • power imbalances,
  • insider/outsider status,
  • language and ways of using language,
  • ways of knowing,
  • the socio-cultural environment, and
  • societal and economic status.

In a recently published study, it was very easy to see how the use of peer interviews between youth researchers and youth participants facilitated the development of rapport and increased the level of candor, both of which ultimately reduced potential bias and improved the quality of data collection.

Challenges to Note

There are many benefits to engaging youth in the participatory research process, but there are also challenges to the collaborative process that are important to note.

The reality is that youth sometimes struggle to appreciate their own expertise (or accept the idea that adults may not have the “best” or “smartest” answers). This can make it challenging to break out of the typical “adult as authority” and “student as subordinate” patterns of interaction. So, it will likely take time and some trial and error to identify the most effective ways to empower youth researchers and to uncover the right strategies to promote hierarchy flattening.

Youth researchers can also be lose interest when they do not see concrete progress or tangible outcomes related to their efforts. This can be the difference between participatory studies seeking ameliorative change—creating change within a system and transformative change—changing the system itself. The latter takes more time so it becomes important to celebrate early and small “wins” with youth researchers along the way.

Missed a post in the YPAR series? Check out all the tips and resources:

  1. The Benefits of Engaging in Participatory Approaches to Research
  2. Why Young Investigators Are Important
  3. Youth Voices in YPAR (includes youth)
  4. Strategies for the YPAR Collaboration Process (includes downloadable resources)
  5. How Can Youth Voice Amplify Research? Listening & Leadership Are Key
  6. 4 Universal Facilitation Tips for YPAR Collaboration
  7. Asset & Power Mapping as Tools for Youth-Led Research (includes downloadable resources)
  8. Why YPAR Matters: Youth Are “Looking at the World Differently” (includes youth)

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Dr. Shereen El Mallah is interested in the intersection of applied science and social justice. As a scholar-activist, her work draws heavily on rapid cycle evaluation, participatory approaches, design-based research, and the framework of QuantCrit to address three notable gaps: 1) The gap between what works in research and what works in practice, 2) The gap between valuing what we can measure and measuring what we value, 3) The racial/ethnic and socioeconomic gaps in developmental and educational outcomes that are rooted in longstanding structural and systemic inequities. El Mallah regularly engages in research-practice partnerships intent on interrupting inequitable practices, policies, and research, as well as explores communication and dissemination strategies that facilitate the use of evidence. She is committed to working with and for underrepresented, marginalized, or systematically minoritized groups to leverage both quantitative and qualitative data in challenging dominant narratives.

Pass the Mic Series: Social & Justice Systems

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By: Zaharra, a 13-year-old

Highlights: 

  • Youth-Nex recently hosted their 8th conference entitled Pass the Mic: Amplifying Youth Voice & Agency, co-chaired by Drs. Wintre Foxworth Johnson and Nancy Deutsch.
  • In this Pass the Mic blog series, we are highlighting each of the sessions from the conference, sharing videos, and uplifting youth voices to summarize and reflect on what was discussed.
  • Zaharra, a 13-year old youth panelist and conference attendee, summarizes and reflects on the second session about “Social and Justice Systems.”
Source: Youth-Nex

During session 2 at the conference, we heard from moderator Joanna Lee Williams, Ph.D, and panelists Chidi Jenkins, Renee Spencer, Andy Block, and Sage Williams. This panel focused on child well-being and how to respond to the needs of youth in our community. I feel so honored to have had the opportunity to watch and listen to this panel live. 

The Panelists

Sage Williams talks about his unique experience at the Bon Air Juvenile Correctional Center and how he worked as the president of the Student Government Association. Briefly after, a new community treatment model was implemented and it helped to foster rapport. Andy Block was the one who came up with the idea, and it is a unique perspective to see them both successful and on a panel together. Renee Spencer is a youth mentor, previous social worker, and is focused on building youth relationships; she is passionate about the Youth Initiative Mentoring program. Lastly, Chidi Jenkins works with Youth-Nex as well as a policy program that focuses on child well-being; she has helped to lead discussions around what is being talked about on this panel. 

Their Discussion

Sage Williams has the unique perspective of someone that has experienced what it was like on both sides of the spectrum–knowing what it felt like to be isolated and then the change of the policy within the Bon Air Juvenile Correctional Center. He represents the positive effects of engaging with youth and building relationships. 

Andy Block is an exact representation of what it means to break out a box that shouldn’t be there. What I mean by that is people get stuck in their ways, which is understandable, but what he had to do was challenge that. By taking a risk he changed the system and helped to save lives; this is what educators and other people should be doing when building relationships. 

Renee Spencer talks about the institutional structures that we have created that devalue or denigrate youth relationships. Being human to children and not isolating them is considered “soft” is really perpetuating toxic relationships. She reminds us of something she learned in graduate school about resilience.

Young people who have safe, supportive, nurturing relationships are bound to succeed.

This is a privilege. Even having this type of relationship allows youth to re-approach negative experiences in a positive way. 

Source: Youth-Nex

Did you miss one of our six sessions from the Pass the Mic: Amplifying Youth Voice & Agency conference? Go back and watch these panels with youth voices, and read the summaries, primarily written by the youth participants, on the following topics:

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Zaharra is a thirteen-year-old attending Renaissance School. She is an activist, musician, athlete, artist, and writer. As an Ethiopian-Italian-American, Zaharra has learned to embrace her culture. Throughout her life in Charlottesville, she has experienced microaggressions and racism; this has helped her to acquire the skills to educate those who are uneducated, and fighting against bias inside and out of the school systems is her focus. Zaharra’s recent involvements include having two films, that she collaborated on, shown in the Youth Film Festival ’22, one of them winning the Audience Choice Award. During the ’21-’22 Renaissance School awards ceremony she was awarded the Doc Wilbur as an Eighth-grader, and she has also participated in numerous endeavors such as the Virginia Museum of Fine Arts Teen Stylin’ Event in 2022 and being a Panelist at a Virginia Humanities conference in 2022.

Youth Performing Arts Series: The Theatre Community

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By: Ruby (9th grader), Owen (8th grader), Maya (9th grader), & Rachael (8th grader) from Empowered Players (EP)

This blog post is the third of four in a Youth Performing Arts Series by teens involved in the performing arts. For more posts, please visit our blog.

Highlights: 

  • Empowered Players (EP) is a Fluvanna-based non-profit in VA designed to make a difference in the community through the arts. Their mission is to uplift the human spirit through access to quality arts experiences, youth empowerment, and community service through free & accessible K-12 theatre education and programming. 
  • In this Youth Performing Arts Series, youth involved with EP will share more about their experiences and perspectives engaging in the performing arts. 
  • In this third of four blog posts, Ruby, Owen, Maya and Rachael talk about community, social interactions and how these new skills will help them as adults.
Source: Empowered Players

We all know that community and social interaction is a vital part of humanity. Without it, we can’t grow and expand our knowledge of the world. Empowered Players aims to create a safe and diverse community that is accepting and inclusive. Being part of the Empowered Players community has changed us for the better, and here some examples of how: 

  • “We have met many new friends. Empowered Players is a family, and we are all very grateful to be part of it.” Rachael Broxon, an aspiring playwright and author, explains. “With the addition of Empowered Players to our lives, we’ve had more chances to make friends and interact with people we never would have met otherwise.”
  • “Theatre changed our lives by introducing us to new people. Some of the people we were introduced to were people from different grades, homeschoolers, and people from other counties.” Owen Kaider says. According to Owen, if he had never joined theatre he wouldn’t have started his shoe company, Elvara Custom. Theatre gave him the confidence to pursue his dreams. 
  • “Empowered Players has given me more confidence. It helped me to learn to speak louder and how to convey things without using words.” Maya Blackburn, a martial artist and animal lover, mentions. “Without theatre I would be much less assertive, and would probably care more about what people think. In theatre you regularly embarrass yourself and do ridiculous things. By doing that in this safe place, it’s easier to do in public.”
  • “Ever since I joined Empowered Players, I have been much more confident. I would have passed up countless opportunities if I had never joined Empowered Players. Before doing my first show, I probably would’ve passed out at even the thought of performing on stage.” Ruby Godlewski says. 

Building Community 

Theatre changed our lives by introducing us to new people. Ruby wouldn’t have joined high school theatre if she hadn’t participated in Empowered Players. It helped Ruby to already have connections and know more people. If Maya hadn’t joined Empowered Players, then she wouldn’t have made as many friends, and it helped her to think faster on her feet.

Empowered Players gives new perspectives to kids. Older and younger kids mix, which gives the younger kids people who are not much older than them to look up to. The teenagers have the younger ones around, and that helps them to remember what it’s like to be little, and holds them to a standard that should keep them being responsible. The different age groups mix, and they get along more than some would think. That is beneficial for both of the groups.

The Theatre Community & New Skills

We had to learn how to work together for a production to go well. Those same skills can also apply to real life, too.

If an ensemble doesn’t work well together, then the show won’t be good, and the audience will be confused. Most workplaces function the same. If staff don’t get along and don’t collaborate well, then people could get fired and the business won’t succeed as much as it should. We learned to work well together, even if we weren’t friends or didn’t particularly like each other. Previous theatre groups we attended weren’t nearly as efficient because their community was not quite as advanced as it is here with Empowered Players.

Theatre gets kids out of their shells. Before joining Empowered Players, we were shy, and much quieter. Now we are more outgoing and less soft-spoken. When we need to be loud, or talk authoritatively, we can, whereas before, we didn’t know how. We’ve learned how to speak in different ways, and that helps us when speaking to adults, or to younger kids. Theatre has helped us learn how to better express ourselves, and by learning how the characters feel, it’s helped us to figure out how we feel. When we had to identify how our characters felt, so that we could better embody them it helped us to learn how to identify feelings in general, including our own. 

Because of our growing, nurturing, and accepting community, Empowered Players continues to “change the world, one show at a time.”

The posts in the Youth Nex Youth Performing Arts Series are submitted by teens who are a part of the Empowered Players Teen Arts Board (TAB). The TAB is designed to create a space for teens to shape the arts landscape of Fluvanna County, VA, volunteer in their community, and co-create arts programming for EP. Each blog will feature topics selected by TAB members, and is designed to uplift their thoughts around the importance of the performing arts.

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Maya is a freshman at Fluvanna County High School and has been involved with theatre since 4th grade. She has been with Empowered Players for five years, and has been in both musicals and plays. Maya is part of the tech crew, and did the lighting for the fall Rudolph Musical. Last fall was her biggest role with Empowered Players in which she was Wednesday in the Addams Family Musical. This is her first time writing for a UVA blog.

Author Bio: Owen Kaider is an 8th grader at Fluvanna County High School and has participated in Empowered Players for five years. His previous roles with EP include Charlie in Willy Wonka, Rooster in Annie, Marty in Madagascar, Olaf in Frozen, and Sam the Snowman in Rudolph. He is also an aspiring sound designer and managed sound for EP’s series of original plays this past fall. Owen also recently founded a shoe company titled Elvara Custom. He looks forward to designing sound for EP’s upcoming production of The SpongeBob Musical: Youth Edition.

Author Bio: Ruby Godlewski is a freshman at FCHS. She’s been a member of the Empowered Players community for about 6 years. She is a member of the EP Teen Arts Board, and you can catch her onstage starring as SpongeBob in The SpongeBob Musical: Youth Edition this spring.

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Author Bio: Rachael is in eighth grade and has been with Empowered Players for six years. She loves doing musicals and is looking forward to performing The SpongeBob Musical: Youth Edition this spring. She is an aspiring author and is currently working on a top secret project that’s not really that secret at all.

Pass the Mic Series: A Dialogue Among Young People

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By: Wintre Foxworth Johnson

Highlights: 

  • Youth-Nex recently hosted their 8th conference entitled Pass the Mic: Amplifying Youth Voice & Agency, co-chaired by Drs. Wintre Foxworth Johnson and Nancy Deutsch.
  • In this Pass the Mic blog series, we are highlighting each of the sessions from the conference and in future posts including youth voices to summarize and reflect on what was discussed.
  • In this first blog, co-chair Dr. Johnson introduces this blog series and shares our first session on “Youth Voice and Agency in the 21st Century: A Dialogue Among Young People.”
Source: Youth-Nex

Adults often talk about youth as “the future.” That, however, is a partial truth. Many of the issues that adults debate and the policies that we create affect young people’s day-to-day lives, arguably more than they do our own. Young people are the present as much as they are the future, and we need their ideas. They should have a say in how we think about social issues and what we do to address them. 

At Youth-Nex, we take a strengths-based approach to youth development. And every day we are amazed by the ingenuity, energy, and hope of youth as they tackle the problems they see in the world. Part of being an adolescent is forming an identity that includes a sense of meaning and purpose. We see young people enacting that meaning and purpose, often within systems that do not value their voices or expertise. 

Youth voice and agency were central to the recent convening. Throughout Youth-Nex’s 8th conference, we heard from young people and adults who are actively working to amplify the voices of youth across the systems that shape their lives. Our goal is for everyone to approach the issues affecting youth with new eyes because they are complex and require all our experiences, expertise, and ideas. We want adults to not only see but also engage youth as true partners in working for change!

The first session of the conference grounded us in youth voices. This panel was moderated by Zyahna Bryant, an activist and community organizer, and included all youth panelists. We asked: Are young people ready to lead and if so, in what ways? How do we center and uplift youth voices in the 21st century? What are action-oriented steps to support youth? Listen to this session and learn more.

Source: Youth-Nex

In this blog series, we will share each of the sessions from the conference with an accompanying young person’s perspective who attended the conference. Listen to these sessions, hear these youth voices, and consider how you can “pass the mic”!

Did you miss one of our six sessions from the Pass the Mic: Amplifying Youth Voice & Agency conference? Go back and watch these panels with youth voices, and read the summaries, primarily written by the youth participants, on the following topics:

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Dr. Wintre Foxworth Johnson’s scholarship lies at the nexus of sociocultural literacy studies, critical race scholarship, and critical pedagogies for and with young children. Her research has two primary aims: to examine the relationship between literacy teaching and learning in race-conscious and social justice-oriented elementary educational contexts; to investigate the sociopolitical development of children from historically marginalized communities, with a particular focus on Black children’s educational experiences, racial awareness, and experiential knowledge.

Youth Performing Arts Series: Debunking the “Theatre Kid” Stereotype

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By: Kessler (11th grader) & Anna (10th grader) from Empowered Players (EP) and members of EP’s Teen Arts Board (TAB).

This blog post is the second of four in a Youth Performing Arts Series by teens involved in the performing arts. For more posts, please visit our blog.

Highlights:

  • Empowered Players (EP) is a Fluvanna-based non-profit in VA designed to make a difference in the community through the arts. Their mission is to uplift the human spirit through access to quality arts experiences, youth empowerment, and community service through free & accessible K-12 theatre education and programming.
  • In this Youth Performing Arts Series, youth involved with EP will share more about their experiences and perspectives engaging in the performing arts.
  • In this second of four blog posts, Kessler and Anna debunk a few theatre myths and stereotypes that haunt the industry.
Source: Empowered Players Teen Arts Board

There are a lot of stereotypes about theatre kids. Some say we’re anti-social coffee addicts who can’t go anywhere or do anything because “we have rehearsal.” Some say we’re Hamilton obsessed geeks who speak only in showtunes and Shakespeare. Although they might have a point, theatre is much more than the stereotypes.

Theatre, especially Empowered Players, helps budding actors and actresses in many ways. It can improve public speaking ability, increase creative thinking skills, and includes people from many different backgrounds and walks of life through the diverse roles available. And while some theatre stereotypes are true (yes, we are that loud; yes, some of us are that obsessed with Hamilton or Dear Evan Hansen), many are not. This blog debunks a few myths that have permeated the industry for years, especially for youth.

Mythbusting the “Theatre Kid”

To begin with, many people are afraid of theatre because of how it is portrayed in the media. Television and movie producers love to show theatre as something that is filled with gossip and drama, or mean girls and nerds. This does not give theatre a chance! It is an unique art that allows actors to become different people for a few hours a week while boosting beneficial skills such as confidence and public speaking. The myriad perks of theatre are overshadowed by the harmful stereotypes that continue to circulate both within and outside the community. Let’s lay these myths to rest and prove that theatre is truly for everyone!

Debunk: “I can’t, I have rehearsal”

One of the major drawbacks that can dissuade students from entering theatre is the heavy time commitment. Almost everyone has seen or heard the theatre kid meme: “I can’t, I have rehearsal.” And while this can be true (and we have used it to get out of things that we don’t really want to go to), the commitment is no worse than a regular sport. Rehearsals are after school or on the weekends, but many directors are flexible and willing to work with students and their schedules. Since some troupes rehearse on the weekends, afternoons are open for other activities. For example, Anna is in the marching band, which means that she doesn’t have time after school for rehearsals. Since Empowered Players meets on the weekends, she can do both band and theatre. Kessler competes in Forensics through the school, and the weekend rehearsals mean that she has time for homework after school and practice. This is a common occurrence. Many people balance both theatre and other extracurricular activities!

Debunk: “I can only do theatre through my school”

Popular media likes to portray that theatre can only be done through a school (High School Musical, anyone?). While school theatre is definitely an option, it is not the only option. There are many external troupes and programs that allow students to act outside of school hours. These troupes are important because it allows students who don’t go to a traditional school, such as homeschoolers, to experience theatre. There are many community theatre programs that are open to everyone, which opens up theatre opportunities to those who can’ do traditional theatre.

Outside opportunities are also important for those who aren’t comfortable doing theatre through school. Sometimes people have bad experiences with school theatre and are not comfortable going back to school. Community theatre opportunities reopens the door of theatre to those who thought it closed.

Debunk: “I can’t do community theatre because it’s only for adults”

Unfortunately, doing theatre through a community program comes with its own stereotypes. One of the most prominent ideas is that community theatre is only for adults. This is supplemented by many shows that community theatres produce that are not necessarily suitable for teenagers, tweens, or children to act in.

However, many troupes do perform shows that are children-appropriate and sometimes even call for child actors. If someone is interested and there is a community theatre troupe nearby, we suggest reaching out to them and expressing interest. If there is an opening for a child or teen actor, then go ahead and join! If not, then keep reaching out to other troupes and the right one will connect with you! Acting with adults will also increase your skill, since you will be working alongside more experienced actors who can show you some tips and tricks of the trade.

Debunk: “Everyone in theatre already has friends. I won’t be welcome”

The deterrent to many teens in joining new activities is the fear of a clique within that activity that will not accept them. Theatre is infamous for cliquey groups that exclude newcomers, but this is simply not true in most cases. Theatre troupes are welcoming of new actors, especially because more actors means a larger cast. A larger cast means a more in depth and overall fun play. In addition, the people within the groups remember how it felt to be a newcomer to the scene, and as such are welcoming. Theatre, as an art, also attracts kind and accepting people.

Debunk: “Everyone in theatre is dramatic” or “Rehearsals are full of drama”

The final myth that we plan to debunk centers on another name for theatre. Many people call theatre “drama” and this can lead many to believe that actors are backstabbing hooligans, constantly on the lookout for new drama. This is just not correct! Rehearsals are calm places, devoted to the play. While some actors do participate in “backstage drama,” as it is coined, most just want to have a fun show.

Theatre kids also receive an unjust reputation for being “over dramatic.” Seeing as how these people are actors, a certain amount of this is to be expected, but not to the degree that is shown in mass media. The over dramatism is mainly just employed in jokes, and actors know when too much is too much.

Theatre Stereotypes Debunked

Although there are many more myths and stereotypes than what is covered in this blog, we have debunked a few of (what we thought were) the most famous ones that keep youth from entering theatre. An important element to remember is that theatre is not what the media paints it as, and many people from all walks of life enjoy theatre in many different ways. And if acting isn’t something that interests you, that’s okay! Theatre encompasses everything from acting to directing to the technical crew working behind the scenes. All parts are necessary to ensure a successful show. So try out for that musical! Join that community theatre troupe! Take that directing class! Even if theatre is not for you, you will have gained new skills that will benefit you in unexpected but amazing ways.

The posts in the Youth Nex Youth Performing Arts Series are submitted by teens who are a part of the Empowered Players Teen Arts Board (TAB). The TAB is designed to create a space for teens to shape the arts landscape of Fluvanna County, VA, volunteer in their community, and co-create arts programming for EP. Each blog will feature topics selected by TAB members, and is designed to uplift their thoughts around the importance of the performing arts.

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Kessler is a junior in Fluvanna County High School. She competes in Forensics through FCHS and participates in the spring shows performed by the high school. She has been involved with Empowered Players for over six years and has worked on many aspects of the theatre experience, from acting in both ensemble and starring roles, to tech, to management and directing. enjoys both acting and directing. This spring, she is excited to star in Peter and the Starcatcher as Molly Aster. This is her first time writing for a UVA blog.

Author Bio: Anna is a sophomore at Fluvanna County High School and has been involved with theatre since the summer before 4th grade. She did the initial Empowered Players summer camp, and has been involved with the program since. She has been in numerous shows, as well as camps, and has learned theatre management, directing, script writing and playwriting through those camps. She has just wrapped up her latest show, in which she played Alice in the Addams Family Musical. She also did her first mentoring volunteer work with Empowered Players in the Rudolph Musical this past semester.

Revisiting 2022: Blogs on Youth Voice, New Research & More

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By: Leslie M. Booren

Highlights:

  • As the holiday season approaches, Youth-Nex is revisiting the 2022 archives for the blog.
  • We highlight themes from this year’s blog postings, including youth voice, the latest research, and more.
  • Read more and see what posts you missed from 2022, and what you should take into 2023!
Source: Youth-Nex

At the core of the work here at Youth-Nex is including and elevating the voices of youth. Dr. Nancy Deutsch, Youth-Nex Director, recently said there are two significant reasons for this. The first is that youth are more than just future adults who will one day be impacted by and engaged in making decisions about the world; they are both impacted and active now.

“It’s not just that youth have a stake in the future impact of the actions we take, they have an immediate stake in them too,” Deutsch said. “That means they should have a say in how we think about social issues and what we do to address them. Beyond that, they are already actively trying to make change. Just look around and you can see how young people are engaged in social change efforts across a range of issues.”

Deutsch also believes that including youth voices yields better results.

“We need their ideas,” Deutsch said. “Young people are better at brainstorming beyond boundaries. They engage in creative problem-solving in a way that can open new possibilities that adults don’t see. Because adolescents are more open to novelty and risk-taking than adults are, this can make them more innovative problem-solvers.”

Youth Voice

In 2022, we featured youth writers that were middle schoolers, high schoolers and young adults. They talked about the importance of art, advised educators on how to use social media, highlighted the importance of Black History, and encouraged young people to be active in performing arts. Read more about:

Check out these blogs to link to the youth takeovers on Instagram that accompanied many of these posts!

Latest Research

Youth-Nex takes a translational approach to scholarship and innovation which aims to expand and apply the science of Positive Youth Development. Our work enhances the strengths of youth to support thriving and prevent developmental risk such as violence, physical and mental health issues, substance abuse and school failure.

In 2022, many of our blog posts highlighted new research just published or available to teachers, parents and more educational stakeholders. These researchers explain their new work on:

What to Take into 2023

Although all these blog posts share important perspectives, there are two that we would be remiss not to highlight from 2022. The messages shared by these authors are particularly salient given the on-going current news in the United States for youth as we approach 2023:

  • For Pride month, Lamont Bryant writes how “LGBTQ+ Youth Need Your Support.” They describe how the U.S. is at a turning point, emphasizing the importance of social support for our LGBTQ+IA2+ communities. Read more about what you can do now for lesbian, gay, bisexual, transgender, queer, intersex, asexual, two-spirit, and other sexual diverse and gender minoritized individuals (LGBTQ+IA2+).
  • For Mental Health Awareness month, this video blog addresses “Youth Mental Health & Reshaping Our Culture.” Daniel Fairley II shares tips for what adults can do to support youth mental health right now, after the COVID-19 pandemic.

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Leslie M. Booren is the Associate Director for Communications and Operations at Youth-Nex and the Youth-Nex blog editor. In this role, she manages operations, HR, events, communications and marketing for the center. Previously she has worked at the Center for Race and Public Education in the South (CRPES), EdPolicyWorks, and the Center for Advanced Study of Teaching and Learning (CASTL) in various roles from research faculty to managing director. She has a strong interest in community and youth development by bridging applied and research-based practices.

Youth Performing Arts Series: How Empowered Players Has Helped Me

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By: Gloria & Ash, 9th graders from Empowered Players (EP) and members of EP’s Teen Arts Board (TAB).

This blog post is the first of four in a Youth Performing Arts Series by teens involved in the performing arts. For more posts, please visit our blog.

Ash & Gloria also took over the Youth-Nex & Empowered Players Instagram accounts to talk more about this blog and their experiences!

Highlights:

  • Empowered Players (EP) is a Fluvanna-based non-profit in VA designed to make a difference in the community through the arts. Their mission is to uplift the human spirit through access to quality arts experiences, youth empowerment, and community service through free & accessible K-12 theater education and programming.
  • In this Youth Performing Arts Series, youth involved with EP will share more about their experiences and perspectives engaging in the performing arts.
  • In this first of four blog posts, these youth share more about how acting helped them build skills and confidence for the future.
Source: Empowered Players Teen Arts Board

Hi, we’re Gloria and Ash! We are both in 9th grade and have some things in common. For example, we both like to act, to read, to dance, and to do some art. We want to talk about how being involved in Empowered Players has helped us in everyday life and with our acting. In particular, theater has helped us with public speaking, expressing ourselves, confidence, and creativity.

Improving Public Speaking

Empowered Players has helped me (Ash) with many things in my everyday life. One way it’s helped me is in public speaking. When in a play, you always know what to say and when it’s the appropriate time to say it. For example, I was in a play, The Jungle Book. Being in this play showed me the appropriate responses to things that would need to be said when speaking anywhere. For example, when talking to an adult, I am able to think of a response sooner and sound like I know how to talk to an adult. With that, I am now able to plan what I want to say anywhere, and have the ability to improv if I don’t already have a response to something when I need it. It also helps by already being on stage with a bunch of people that you may or may not know.

Expressing Ourselves

Empowered Players has also helped me (Ash) with expressing myself. Performing in a play helps show different emotions and different personalities, and this can help with expressing who you are in everyday life. For example, you could also express yourself in the play and show who you are in the play.

More Creativity

Empowered Players has also helped me (Gloria) with my creativity.

It has helped me because when we are playing improv games, I have to think of something to say quickly and it also has to be creative. My creativity has improved; and I have noticed that when I’m working on little crafts at home, it is easier for me to think of what to make.

Boosting Confidence

Empowered Players has helped me (Gloria) with my confidence, because when I’m in an Empowered Players group, I can be myself. I also learned that people don’t care what you look like or do, and that has really helped with my everyday life. Throughout the year my confidence has gone up. For example, I can make friends easier now, and it is easier for me to talk to people that I don’t really know. I have also noticed that I have become more confident in speaking in class in front of classmates and teachers, and that I can express my thoughts and opinions more freely and without worrying too much about what they think. When I looked at the Halloween costume contest video we recorded with the Teen Arts Board, where I was one of the presenters, I can really tell that I am more comfortable in front of a camera now.

The posts in the Youth Nex Youth Performing Arts Series are submitted by teens who are a part of the Empowered Players Teen Arts Board (TAB). The TAB is designed to create a space for teens to shape the arts landscape of Fluvanna County, VA, volunteer in their community, and co-create arts programming for EP. Each blog will feature topics selected by TAB members, and is designed to uplift their thoughts around the importance of the performing arts.

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

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Author Bio: Hello! I am Ash! I am 15 years old and in 9th grade. I was born in North Carolina and lived there for 13-ish years. Now I live in Virginia.

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Author Bio: Hi! My name is Gloria! I am 14 years old and I was also born in North Carolina. I go to Fluvanna County High School.

The Power of the Creator Economy in Education: How Educators can Thrive Digitally

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By: Harish, WIT teen entrepreneur

Highlights:

  • The creator economy is a rapidly growing system that democratizes education whilst also making learning more efficient.
  • Due to online learning in the pandemic, educators are more adept at teaching in the digital age; the next stage for educators is to consider reinventing themselves and their identities to include being a creator as a vital part of their role.
  • This blog explores how educators should build their brands and leverage platforms that enable them to maximize the impact of their knowledge.
Source: Youth-Nex

The creator economy is a $100 billion economy involving independent creators that grow and monetize their work through software tools, such as YouTube, Instagram, TikTok, Twitch, Spotify, Substack, Patreon, and more. Since the barrier of entry to create and distribute content is extremely low, the distribution and accessibility of ideas and skills have grown exponentially. In terms of monetization, creators use a variety of revenue models from ad revenue, brand deals, and affiliate links to courses, paid newsletters, and creator-led brands. This economic system, built by 50 million content creators, community builders, bloggers, influencers, artists, and writers, is one of the fastest-growing segments in business with no signs of slowing down. 

The Creator Economy & Education

One of the industries most affected by the rise of the creator economy is the education sector. With tuition rates rising constantly and quality education becoming more accessible through MOOCs (massive open online courses) and other free sources online. Due to this availability of information and resources, higher education enrollment, both online and in-person universities, has been on a decline since 2012. Alongside the declining trend of higher education, the creator economy continues to grow and establish itself as a powerful source of widespread education. This is due to the many benefits that digital content provides, such as lower costs, greater accessibility, greater flexibility, up-to-date content, and more efficient upskilling (continuous learning, used to gain and improve specific skills). As a result, content creators are emerging as the teachers and instructors of the next generation, educating people in fields from fitness to business to culinary skills.

The Rise of Live & Cohort-Based Learning

Although the creator economy has allowed for education to become more democratized and accessible, it does come with a few downsides that are important to understand. The increase in the quantity of content makes execution and implementation more important than ever. This is evident due to traditional online courses, such as MOOCs, having a completion rate of only 3-5%. Additionally, digital learning can also result in a lack of the ability to learn together alongside peers, which creates a need for community. As a result, we’ve seen the edtech space double down on the creator economy through cohort-based learning, which has dramatically risen in popularity over the last few years. Companies such as Maven, Mighty Networks, and Disco allow creators and experts to turn their knowledge into engaging cohort-based courses that allow students to experience hands-on learning with accountability through the presence of community. Beyond this, leaders in the edtech space are also exploring use cases of virtual reality and augmented reality in online STEM classes to further increase engagement and learning outcomes. 

How Educators can Leverage the Creator Economy

With the rise of digital education, through the likes of the creator economy and cohort-based learning, we can potentially see certain portions of traditional education become obsolete. As a result, it’s important for educators to evolve and reinvent their practices.

The COVID-19 pandemic exposed certain holes in traditional education, which has resulted in the online and hybrid education models existing and rising in popularity even after the peak of the pandemic. With teachers across the world being forced to evolve their curriculum and their skills as a part of this trend, educators are now more adept at teaching in the digital age.

In addition to meeting the demands of virtual learning, teachers should also consider reinventing themselves and their identities to include being a creator as a vital part of their role as an educator. For example:

  • Graham Weaver, an entrepreneur and six-year lecturer at Stanford’s Graduate School of Business, created a TikTok account to share his knowledge of economics, personal finance, and life lessons. Through leveraging the power of the creator economy through short-form content, Graham increased his reach exponentially to distribute his knowledge and expertise at rates much faster than he could solely through the classroom. 
  • Brittany Sinitch, a middle school teacher who documents her life as a teacher through vlogs, Q&As, and lesson plans she uses in the classroom. However, Brittany is not alone as many K-12 educators are using the power of social media to create a classroom that goes beyond physical walls.

It is important to understand that education is a dynamic and ever-changing field that requires constant experimentation and iteration. With education only becoming more accessible and democratized, the identity of educators will change as they won’t be limited to their classroom. In the new age, educators will be building their brands and leveraging platforms that allow them to maximize the impact of their knowledge and play the game of distribution. 

Sources

Youth-Nex is excited to feature teen entrepreneurs from the non-profit WIT – Whatever It Takes. The posts in the Youth Nex + WIT series are submitted by teen entrepreneurs who are interested in exploring and discussing topics ranging from education inequity, mental health, political issues, and more. The teens choose the topic and the views expressed in their posts are theirs and not connected to WIT or Youth-Nex. 

If you have any comments or questions about this post, please email Youth-Nex@virginia.edu. Please visit the Youth-Nex Homepage for up to date information about the work happening at the center.

Author Bio: Hey, I’m Harish 👋. I’m the co-founder & CEO of Guardial and teen entrepreneur at WIT. I’m based in Austin, Texas, and love exploring social entrepreneurship, the creator economy, and marketing/branding. Feel free to reach out @harishkolli_, would love to chat!